In the nineteenth-century, traditional narratives were the epitome of the literal world. Traditional narratives were written to allow readers to follow along a storyline fairly easily. Stories would focus on order where events would occur chronologically. This type of narration was extremely linear with a start, middle, and end to the story. Stories would have a climax, resolve of conflicts, and then closure usually with a “happily ever after” ending. This type of narration is extremely important to history but due to its linear nature, stories could be found as aged and dull to some individuals. This is where a good author comes in and brings life to a story. By employing narrative techniques, and changes to elements of the narrative structure authors would conducting and produce stories that can leave audiences in awe. This style of narration is known as modern narration, where writers would write to create a new world that would attract readers, entertain them, and then teach them with an underlying message. In Rabindranath Tagore’s “The Hungry Stones”, Tagore writes a short story about three passengers waiting for a connecting train to go to their final destination which is Calcutta. Tagore starts the sorry …show more content…
This prequel was able to twist and distort the point of view of “Jane Eyre” by giving life to Bertha Mason who is known as Antoinette Cosway in “Wide Sargasso Sea”. She was depicted as a crazy Creole woman whom was married to a man named Rochester. She was locked up in an attic by Rochester, but she eventually escapes to her own death. In “Wide Sargasso Sea” we learn about the life of Antoinette Cosway, from her youth all the way to her assumed end. Rhys was able to tell Antoinette’s side of the story, which made her the victim. Her madness and was assumed by Rochester whom was misguided by people around