The deep-set, heavy-lidded eyes, the thin lips, and the series of diagonal furrows marking the rather hollow cheeks give representations of this king a brooding expression not usually found on the faces of Egyptian kings. The ruler seemed consciously to have chosen to represent his humanity rather than an idealized image of eternal kingship. This is often interpreted as a portrayal of the burden of power and kingship. He is shown wearing the nemes headcloth with a cobra at the front, the pleated shendyt kilt, and the bull's tail, visible between his legs. Beneath his feet are nine bows, symbolizing Egypt's traditional enemies under his…
In this critique of Kasia Szpakowska’s book, Daily Life in Ancient Egpyt, I am going to discuss her purpose, my likes and dislikes, her use of images, and how I felt this book related to this course. Daily Life in Ancient Egypt was an excellent choice for this course. The information supplements the in-class lectures by providing sufficient information into the life of the mundane versus the life of the rulers and pharaohs. It provides information that is clear and concise so the reader doesn’t have to dissect the information and gains a clear understanding of real life for the Ancient Egyptians. In addition, this book is a good reference for other classes in ancient civilizations as well as a reference for those of us who are going on to teach…
It was created around 2520—2494 BCE. This work of art was carved from a rock that was located in a quarry. The figure has the body of a lion and the head of a pharaoh and is connected with the sun god. Having the body of a lion symbolizes the power and strength of the pharaoh, and the head is the intelligence of the ruler. (cite textbook)…
The funerary banquet and the tomb of Augur are both rendered in a composite view and make use of nude to semi nude individuals. Similar colors are also employed within these paintings as they’re both done in similar fresco styles. The Funerary Banquet has both men and women as subjects, women usually being shown in lighter skin than men and are a reference to fertility, rebirth and regeneration for the tomb. While The Tomb of Augur has only male subjects that help emphasize the often violent and bloody masculinity of the funerary games. All the subjects of authority within these paintings are idealized, and are characterized with elaborate outfits.…
They faces are serious and serene portraying confidence and permanence. There is balance in the sculpture emphasizing calmness. The king wears a fake…
The juxtaposition of the small faces with broad shoulders communicate the incredible power commanded by each of these figures politically, physcially, and supernaturally. Similarly, the exaggerated length of the legs suggest their importance not only in terms of scale, as this makes them comparatively large within their background, but in terms of line; the strong vertical lines suggests little motion but rather the ability to stand anchored admist conflict. Finally, the size of King Mycerinus’ head dress is exaggerated in size, likely to place him above the other two figures since he is comparatively smaller in scale and depth than Hathor (though his torso is nearly as large as Hathor’s, which itself indicates a similarity in…
It would be bold to say that at a passing glance anyone without proper knowledge of ancient Near Eastern and Egyptian art would identity works like the Code of Hammurabi and the Palette of Narmer as coming from the same source. It would be an even bolder claim that the previous statement hides some truth to it. While the source of each piece are from different locations, the contexts and ideals depicted in the imagery are shared. As both artwork shows a powerful leader of their time announcing their powers to the people they rule, the similarities of these societies behind them can be easily decrypted to where the cultural background could be compared to one another.…
Horus Narmer is usually considered the first king of the 1st Dynasty, perhaps even the first to have ruled over the whole of Egypt, or as the last king of the Predynastic Period. He is one of the first Egyptian kings to have left some historical records. Very little is known about the king we call Horus Narmer. Even the reading and meaning of his name are not certain. What we do know is that his name has been found throughout Egypt, which is sometimes interpreted that Narmer was the first king to have ruled over he whole of Egypt.…
“He had loved to stare at the big face with its deep lines and long earlobes, its thin lips and loose, loopily chewing jaws. Its almost godlike stillness and expressionlessness filled him with admiration and…
While no evidence exists demonstrating that Sinuhe from The Story of Sinuhe is an actual person and while The Tale of the Eloquent Peasant is clearly fiction, both works of Egyptian literature are rooted in some form of historical fact in that they were likely written by Egyptian elite and, therefore, they can give us important insights into Egyptian social life, how Egyptians viewed their society and the greater world, and how different classes in Egypt might have interacted. Namely, both pieces serve as obvious propaganda pieces for the Egyptian pharaoh –highlighting the relationship between the king and the lower tiers of society and setting up defined traits for how the pharaoh was supposed to be perceived in Egyptian society. However,…
The iconography of “The Palette of Narmer” generally depicts the military might of King Narmer as a historical example of the unification of Egypt during the 31st century B.C. More so, the godly intervention of King Narmer’s power is representative of the approval of the gods in the unity of Upper and Lower Egypt during this historical…
The cultural artifact that I propose to study is the bust of the Queen Nefertiti who was an Egyptian queen and the Royal Wife of the Pharaoh Akhenaten. The Queen is known to the modern world for her famed illuminous bust that now resides in Berlin’s museum. Nefertiti’s bust was created by the sculptor Thutmose and was discovered in his workshop by the German archaeologist Ludwig Borchardt. The bust is an example of providing us, the Ancient Egyptians examples of art and how they regard facial proportions. The bust is considered the most copied works of art from Ancient Egypt.…
Head of an Akkadian Ruler Vs. Funerary Mask of ‘Agamemnon’ Comparing two sculptures can be overwhelming. The two pieces of artworks I have chosen are both heads of former rulers, each of them coming from a different empire. Nobody knows who made each of these artworks. The first sculpture for comparison is the head of an Akkadian ruler also known as the “Head of Sargon the Great”().…
The life they had known was a suffrage for the deities and that the life to come was almost like a reward and completely different from the lives they had already known (Connor, 167). Egyptians emphasized on geometric shapes, outlining, color and chiaroscuro, they built many pyramids and tombs for the dead in order to experience an afterlife in comfort and to have their possessions with them. A famous piece of work was the “Funerary Mask of Tutankhamun” it’s beautifully done with much detail, style and the use of complementary colors. This is the funerary mask of the young Egyptian ruler, Tutankhamun, the emblems on the forehead the vulture and cobra and on the shoulders falcon heads were symbols of the two lands of Upper and Lower Egypt of divine ruler ship. It was patterned with blue glass and gold and was composed of semiprecious stones, the stripes used to portray this work of art was to establish the abstract look as well as the geometrical position Egyptians often took.…
Tutankhamun's mask The stunning, gold funeral mask of Pharaoh Tutankhamun is considered to be one of the most highly artistic, complex, and beautiful pieces of art crafted by the ancient Egyptians. Tutankhamun, or better known as “King Tut”, reigned from 1332-1323 BC. His name translates to “The living image of Aten.” He was considered to be an atrocious ruler, even at nine years old, unlike his father before him.…