The film is beautifully shot, in farfetched tones-running from brilliant to sepia to dark, in the feeling of the trench fighting. The essential plot is that Tautou 's character, Mathilde, is looking for reality about her significant other Manech (Gaspard Ulliel), who is supposedly dead, sentenced to death with four others for weakness by the French military, for self-mangling, in a situation much the same as that in Stanley Kubrick 's first incredible film, Ways Of Transcendence. Ulliel gives a decent execution as an amiable naïf. The other four sentenced to pass on are Bastoche (Jerome Kirchner), a craftsman; a communist welder named Six-Sous (Denis Lavant); an apprehensive Corsican procurer and cheat named Ange (Dominique Bettanfeld); and
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Be that as it may, she 's not the only one in attempting to deal with the military wreckage an avenging prostitute named Tina Lombardi (Marion Cotillard), darling of Bastoche, searches out the military men and is executing them. By film 's end we discover that her significant other has, for sure, survived, however shellshock and his injuries have left him an aggregate amnesiac. The last scene of the film where Mathilde stands up to Manech, who does not remember her, is sensible, lovely, and touching. Jeunet knows the ideal approach to shoot, alter, and end the shot for most extreme impact. It is likewise one of those scenes and minutes that European movie producers do with endlessly more nuance and feeling than their Hollywood partners, who 've apparently lost all ability to art movies of substance, and rather never miss the chance to degrade genuine feeling with the trite nor …show more content…
Audrey Tautou is a star of the most noteworthy request, whose correlations with that other filmic Audrey - Hepburn, are adept, and one can dare to dream that her attacks into Hollywood will pick up her the acknowledgment here that she merits; in spite of the fact that featuring in the forthcoming Ron Howard adaptation of The Da Vinci Code is not the most ideal approach to begin. Jeunet, be that as it may, has added to a recognized vocation in French and world film with what will one day be viewed as a work of
Be that as it may, she 's not the only one in attempting to deal with the military wreckage an avenging prostitute named Tina Lombardi (Marion Cotillard), darling of Bastoche, searches out the military men and is executing them. By film 's end we discover that her significant other has, for sure, survived, however shellshock and his injuries have left him an aggregate amnesiac. The last scene of the film where Mathilde stands up to Manech, who does not remember her, is sensible, lovely, and touching. Jeunet knows the ideal approach to shoot, alter, and end the shot for most extreme impact. It is likewise one of those scenes and minutes that European movie producers do with endlessly more nuance and feeling than their Hollywood partners, who 've apparently lost all ability to art movies of substance, and rather never miss the chance to degrade genuine feeling with the trite nor …show more content…
Audrey Tautou is a star of the most noteworthy request, whose correlations with that other filmic Audrey - Hepburn, are adept, and one can dare to dream that her attacks into Hollywood will pick up her the acknowledgment here that she merits; in spite of the fact that featuring in the forthcoming Ron Howard adaptation of The Da Vinci Code is not the most ideal approach to begin. Jeunet, be that as it may, has added to a recognized vocation in French and world film with what will one day be viewed as a work of