In some instances, he examines the fidelity of the adapted work, but nowhere talks about the infidelity that might appear in films. Many adapted films violate almost every aspect of their original stories. For example, there are multiple adaptations of the notorious English novel Gulliver’s Travels by Jonathan Swift. In 2010, Rob Letterman directed the most recent adaptation. In the film, the narrative takes a total different tone. There are several moments in the film that relate to our contemporary time. In short, it is a total parody of the novel in humorous action. This sort of adaptation does not fall in either one of the three modes that Andrew outlines in his article. It also brings the new work into question. The issue here is that the adapted work has frequently been compared to the original story. Andrew argues that such comparison ought not to be made to determine the efficacy or even desirability of adaptations. Instead, they ought to be done as a way of appreciating the two works of
In some instances, he examines the fidelity of the adapted work, but nowhere talks about the infidelity that might appear in films. Many adapted films violate almost every aspect of their original stories. For example, there are multiple adaptations of the notorious English novel Gulliver’s Travels by Jonathan Swift. In 2010, Rob Letterman directed the most recent adaptation. In the film, the narrative takes a total different tone. There are several moments in the film that relate to our contemporary time. In short, it is a total parody of the novel in humorous action. This sort of adaptation does not fall in either one of the three modes that Andrew outlines in his article. It also brings the new work into question. The issue here is that the adapted work has frequently been compared to the original story. Andrew argues that such comparison ought not to be made to determine the efficacy or even desirability of adaptations. Instead, they ought to be done as a way of appreciating the two works of