Angela’s mother, Purisima has brought up her little girls to be great spouses. The young ladies wed late in life, having a little social life past the limits of their own home. They invest their energy doing weaving, sewing, washing and pressing, chores that are related to the daily routine of a traditional woman 's life. They likewise …show more content…
His "traceless" (242) passing toward the end of the novel gives Ka her own particular hint of a father. The character, additionally anonymous, makes and turns into a leftover portion, a mystery or puzzle that the Dew Breaker must deal with his whole life, a nonattendance composed on the face. Anne 's stepbrother is this private father, this individual, non-military personnel connection to God. In that capacity, he turns into a similitude for the typical, unmistakable from Duvalier 's open case to be God. The preacher 's demonstration to scar the Dew Breaker denotes his vanishing from his sister 's life, his run, and the account while in the meantime moving the Dew Breaker from metonym to similitude. The minister astounds the Dew Breaker out of his spectator position, the mental space wherein the Dew Breaker respects with interest how far he can tease and torment detainees. Not at all like different officers who take assignments to correct reprisal, has this dew breaker taken assignments to torment individuals whom he doesn 't have the foggiest idea (187). He exceeds expectations in view of his capacity to contrive the most physically and psychologically taxing trials for the prisoners" (197). Whenever the said character astonishes the Dew Breaker by wounding his face, the Dew Breaker 's response to shooting and execute him turns into a minute of break. The Dew Breaker more often than not acts consistently for Duvalier, be that as it may, here he is stunned into an enthusiastic response, and he is frustrated with himself. He commits an error. He gets to be error prone. The scar starts the Dew Breaker as a casualty, as a subject, as somebody who can be harmed: "What did they do to you?" (237), asks Anne, who brings question up in the Dew Breaker 's impervious defensive layer, moving him from metonym to