In Batuman’s essay, she frequently describes people in a somewhat semi-comical, slightly exaggerated fashion, painting a vivid mental picture of their looks and character through her adjectives. One of her descriptions include her language tutor in Uzbekistan, Muzaffar, who had “pale skin, pale almond-shaped eyes, high cheekbones, and a floppy, sad, puppetlike comportment.” Wallace loves describing people as well, but his descriptions are usually more drawn out and lengthy than Batuman’s are. His method of introducing his shipmates, specifically his tablemates, causes one to feel like they are sitting at the same table, being annoyed by the same peculiarities, being entertained by the same endearments. Both essayists also described seemingly random and mundane events or objects: Wallace his shower and sink in his ship cabin, his table-mates’ practise of giving money to their granddaughter; Batuman her taxi-driver’s home-picked apples, the pink-hued sheep on the hill outside of the
In Batuman’s essay, she frequently describes people in a somewhat semi-comical, slightly exaggerated fashion, painting a vivid mental picture of their looks and character through her adjectives. One of her descriptions include her language tutor in Uzbekistan, Muzaffar, who had “pale skin, pale almond-shaped eyes, high cheekbones, and a floppy, sad, puppetlike comportment.” Wallace loves describing people as well, but his descriptions are usually more drawn out and lengthy than Batuman’s are. His method of introducing his shipmates, specifically his tablemates, causes one to feel like they are sitting at the same table, being annoyed by the same peculiarities, being entertained by the same endearments. Both essayists also described seemingly random and mundane events or objects: Wallace his shower and sink in his ship cabin, his table-mates’ practise of giving money to their granddaughter; Batuman her taxi-driver’s home-picked apples, the pink-hued sheep on the hill outside of the