It was painted with watercolor and charcoal on paper, its 16 ft. x 19 ft. It’s located in Smithsonian American Art Museum in Washington D.C. This painting is totally the opposite of Lopez’s painting. The Blue Sea is very hard to distinguish what is really the picture here. They are many colors, such as purple (or blue) yellow, brown and black on a white paper. It you can see where the watercolor was used in the painting. The watercolors look very different from the charcoal, the charcoal gives the painting like a type of texture. John Marin used the charcoal in the rocks and also in the parts where he wanted to have an illusion of the boat. If you take a glance at the painting it is like a big mess of colors but if you study the painting you can kind of distinguish that there is a picture of the sea, and the charcoal help to see the boat and see where the sea is getting
It was painted with watercolor and charcoal on paper, its 16 ft. x 19 ft. It’s located in Smithsonian American Art Museum in Washington D.C. This painting is totally the opposite of Lopez’s painting. The Blue Sea is very hard to distinguish what is really the picture here. They are many colors, such as purple (or blue) yellow, brown and black on a white paper. It you can see where the watercolor was used in the painting. The watercolors look very different from the charcoal, the charcoal gives the painting like a type of texture. John Marin used the charcoal in the rocks and also in the parts where he wanted to have an illusion of the boat. If you take a glance at the painting it is like a big mess of colors but if you study the painting you can kind of distinguish that there is a picture of the sea, and the charcoal help to see the boat and see where the sea is getting