The technic of the artwork was painted which looks like one of the classic painting in the Renaissance period, as well as the affective qualities of The Fourth of March. Kent Monkman appropriates 19th-century romantic landscapes to bring out the contrariness that highlights the early relationships between Native Americans and European settlers. It explains the inspiration of Monkman in his process of his work and helps to understand his perspective. The role that Monkman's paintings play in challenging and ridiculous the history of landscape painting, including in rejecting the guideline of geography and gender. Monkman's paintings' rejection of the representation of a colonizing power in the gaze of the public view causing to give a new meaning
