We can recognize the subject’s high stance through her expensive dress, and prominent jewelry. The realism of this portrait is a result of the “contemporary Impressionism” and “more conventional painting techniques” (placard.) Carolus-Duran has this idea that wasn’t common for the late 19th century France. The idea that a woman is not just a figure to be painted, and object, rather a being that thinks and has a purpose. It is through the act of painting itself, that the subject is doing that lead to this conclusion.…
Even though the phrase “point of view” is just three measly words, it is one of the most important choices an author needs to make while deciding how they are going to write their story. Will they write in first person and use “I”, and “we”, or write in 3rd person and address people by their names or use pronouns like “he” or “they”? Although many people decide to write in third person point of view, both the stories The Georges and the Jewels by Jane Smiley, and Black Beauty: The Autobiography of a Horse by Anna Sewell develop their characters through first person point of view. The Georges and the Jewels is a story in perspective of a little girl named Abby, who has had both the good and the bad with horses. She has been thrown off of her…
She started writing about the injustice of the society towards women, she emphasized how males even in the church ruled and controlled mostly everything. She also wrote poems called sonnets, accentuating the inequality of women and how they are treated as this cliché where the woman should be at home taking care of children, illiterate and naïve. One this famous sonnets is called “Hombres Necios” that translates in English “Foolish Men”, she accused them of behaving illogically by condemning women all the time. Furthermore, she used to write letters criticizing the archbishop and one Franciscan priest. She did this incognito under the name of Sor Filotea, she even wrote letters to herself.…
The popular view of women's nature is seen as virtuous, responsible, and nurturing, the art nonetheless challenged traditional practices and demanded political change. Women have created landscapes, still life, portraiture, and abstraction, but unless the style or name of the artist is easily recognizable an art viewer is generally ignorant as to the identity or sex of the artist. The second wave of feminism became the start of the feminist art movement to achieve equality for women. The feminist art movement challenged the definition of womanhood by facing an encounter between art, social activism, and political thinking through the mediums of crafting, mass communication, and photography to protest towards a greater equality for women and…
Bradstreet’s view of men and women was somewhat shaped by Puritan society. Men were the social authority and women were essentially invisible in Puritan Society. She wrote in the Prologue, “Cause nature made it so irreparable”, a reference to the handicap she faced as a female poet (Bradstreet A: 208). In “To My Dear and Loving Husband”, she stated, “then while we live, in love let’s so persevere” and continued “That when we live no more, we may live ever” (Bradstreet A: 226). This was her way of glorifying her husband’s love and illustrated how important marriage was to the Puritans.…
During the American Revolution women’s equality was put into question when women were not offered the same rights as men. One of the early women to advocate this idea was Judith Sargent Murray. Judith Sargent Murray was an early American woman who proposed Women’s rights, an essayist, playwright, poet, and letter writer. Murray’s ideas about women’s rights were considered extreme in the 1700s. Murray asserted education should be equally offered to women as the same as men and argued for women to earned and manage their own money.…
The Dinner Party Judy Chicago The truth has been lost within the timeline of women in a world run by men. Women are constantly being dismissed from the course of western history. And to that, embracer of women and their undertakings, Judy Chicago, herself an artist in the modern era, installed one of the most recognized feminist art of all time to educate the public on the accomplishments by women. But focusing on femininity and women’s history had created a blind spot in her work.…
1920 Roaring I. When you think of the word roaring you think of the 1920s. The roaring twenties was the period right after WW1.The people of this time were hoping for a new change to come ahead and bring a period of happiness instead of the gloomy period once before. The 1920 was truly roaring because of the women activists, arts and culture, and inventions. II. The first reason to prove that 1920 was roaring is the women activists.…
For years women have been searching for gender equality. In our generation, authors tend to write about a certain subject containing their bias. Each author differentiates between two topics; women's roles positively changing or women's roles are the same. For example, Carol Kuruvilla wrote about how the female role in society positively changed overtime. while in past generations, Elisabetta Sirani’s painting exemplifies what a women must do in order to gain the respect from men.…
Marie de France was not just any women, but she was someone who seem to oppose the oppression of men. She wouldn’t allow men to try to take credit for her work, so she would put her name on all of her work. In addition, she also wanted to receive the recognition she deserved. Knowing this of her,…
In “The Awakening” by Kate Chopin, the theme of motherhood and the idea of the “mother-woman,” are both very prominent. Two of the novel’s main characters are mothers, although their views on motherhood are not alike at all. Throughout the novel, Adele and Edna are compared to show how Adele surpasses the societal ideals of what a mother and wife should be, and how Edna defies those standards and refuses to let motherhood consume her life. One of the ways that this is achieved is by the use of the term “mother-woman” and applying it to both of the mentioned female characters.…
In the period of the literary works of Collection 5, inequality between genders developed into a serious and controversial issue. Although the authors of this age generally wrote to persuade their audience to view women and their role in the world in a new light, no one had managed to influence me as much as Judith Sargent Murray in her essay titled “On the Equality of the Sexes.” For the most part, the author attempts to communicate that women are not intellectually inferior to men by nature, but are instead given disadvantages that drastically limit their educational opportunities with effective usage of rhetoric such as ethos, pathos, and logos. The essay is predominated by oustanding logos, although excellent examples of pathos and ethos…
The 18th century Enlightenment period was undeniably a historical viewpoint that advocated for greater decency in society. During its beginnings, many intellectuals referred as the “philosophes” emerged in France, and used the ideas of the Scientific Revolution to reconsider all aspects of society. The German philosopher Immanuel Kant defined the Enlightenment as “a man’s leaving his self-caused immaturity” (What Is Enlightenment?). Kant even proclaimed as the maxim of the Enlightenment: “Dare to Know! Have the courage to use your own intelligence!”…
Throughout the 19th and 20th century there was a widespread belief that women suffered from an illness called hysteria. Its definition states that it is a “psychological disorder” in which mental stresses can turn into physical symptoms such as “attention-seeking behavior[s]”. The origin of this word comes from the Greek word “hystera,” which literally means uterus. Thus this disorder was linked to women, specifically women whom men considered to be disturbed in some way if they did not conform to society’s standards of domesticity such as motherhood or housekeeping. So it is no wonder that during this time period many stories were published with critiques on this so-called women’s illness.…
In the early history of art, female artists were uncommon and denied of the same amount of credit for their talents as their male counterparts. It was a rare occurrence for female artists to paint portraits of themselves, however in the 16th and 17th century we begin to see a shift in this trend. In the Netherlands during the 16th century, Dutch artist, Judith Leyster used oil on canvas to paint a portrait of herself, titled Self-Portrait (1635). The Self-Portrait features Leyster, a young woman, looking directly at the viewer whilst painting a scene of a man playing the violin. Leyster owned an art workshop and was the only female in the Dutch Republic to sell her paintings in the market during that era.…