Music has been invariably elucidated throughout history altering the definition of what is considered melodic, and revolutionizing the manner in which pieces are composed and one of the most prominent periods of musical transformations was the 17th century. It was during these influential times in which music was subjected to the Reformation and Counter-Reformation, both signifying turbulent times for the church and both fundamental in the salvation of polyphonic musical composition as we know it today. Composer John Jenkins’s Fantasia is a prime example of a piece born on the scrupulous limitations of this era. Fantasia No. 13 is a piece scored for chordophones, most particularly a string quartet with double bass, the arrangement
