In the second quatrain, the author draws the metaphorical representation between love and a lighthouse. The author states that, like a lighthouse, love prevails through the most daunting of storms and stands tall to guide all ships that pass by its way. The ships are a metaphor for those who people who are guided by the light of love. Additionally, the author employs imagery to demonstrate the idea of love’s non-ephemeral qualities. The author states, “though rosy lips and cheeks Within his bending sickle’s compass come; Love alters not with his brief hours and weeks, but bears it out even to the edge of doom.” The author explains that even the most physically beautiful qualities, such as rosy lips and cheeks, will fade and wither under the power of time, while love prevails and is elevated beyond simply a physical
In the second quatrain, the author draws the metaphorical representation between love and a lighthouse. The author states that, like a lighthouse, love prevails through the most daunting of storms and stands tall to guide all ships that pass by its way. The ships are a metaphor for those who people who are guided by the light of love. Additionally, the author employs imagery to demonstrate the idea of love’s non-ephemeral qualities. The author states, “though rosy lips and cheeks Within his bending sickle’s compass come; Love alters not with his brief hours and weeks, but bears it out even to the edge of doom.” The author explains that even the most physically beautiful qualities, such as rosy lips and cheeks, will fade and wither under the power of time, while love prevails and is elevated beyond simply a physical