The dilemma of the place and expression of sexuality in literary content contradicted the black feminist theory, which concentrated primarily on black women’s intellectual activity. Women’s blues enabled black women to use an alternate form of representation in order to express the contradictions of feminism, sexuality, and power. Blues music articulated the cultural and political struggle over sexual relations. Hazel Carby stated that “Women blues singers frequently appear as liminal figures that play out and explore the various possibilities of a sexual existence; they are representations of women who attempt to manipulate and control their construction as sexual subjects”. To solidify this statement, Carby refers to writer Shirley Anne
