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Good Night And The Catcher In The Rye

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Texts are inevitably characterised by the complex social and political paradigms defining their historical contexts, allowing composers to represent varying opposing discourses of social importance by commenting on common perceptions and social dichotomies. Although written with varied contexts, focuses and perspectives, After the Bomb texts are influenced by the invasive power of political axioms that existed post WWII and the the personal ramifications of challenging societal values. Composers questioned the commonly held notions of truth, challenging antithetical social dialogues. George Clooney's retrospective film, Good Night, and Good Luck and Allen Ginsberg’s provocative poem Howl condemn the conservative ways of thinking and the perceived …show more content…
D. Salinger examines the role of individuals in commiting to social expectations and the individual consequences that arise from questioning institutional …show more content…
Good Night and Good Luck- government is good. Communism is bad fear
Clooney exploits the film form utilizing colour, and presents the film in black and white, mirroring the bleak, pessimistic zeitgeist of the period.

Catcher in the rye

Opposites (350)
Dichotomies of social importance were expressed in the After the Bomb era as a result of tensions between ways of thinking. Conservative morals of political compliance, traditional social conventions and obedience to an omniscient God dominated the zeitgeist, leading composers to evince incredulity towards conservative perceived truths. Salinger presents the contrast between authenticity and the artificial as a critique of orthodox social protocol

Contrastingly, in Ginsberg's Howl
Sanity vs insanity
Visions of america (best minds are the poorest)
Communism v.s capitalism

Melissa Chananie surmises that these dichotomies ‘facilitate the creation of hierarchies of domination, fear, and hate..”

Role of individuals in society

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