Symbolism In Going To The Olympics, 1984

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In Frank Romero 's mural "Going to the Olympics, 1984," it shows us some imagery that includes palm trees, cars, hearts, and symbols from the Olympic Games. The palm trees represent the city of Los Angeles since it is known for having them. The cars represent the main mode of transportation in LA, which we are also known for. The hearts that hover above the cars represent the love that we have for our car industry and travelling in general. At the top of the mural, there are five symbols that represent what the Olympics are about. The first symbol is an iron that pays homage to Buster Crabbe, who was the first multi-medal athlete of 1934 's LA Olympics. The second symbol shows a couple of wrestlers going head-to-head in a match. This represents …show more content…
The colors that make up the mural have certain meanings, like the top of the mural, which is red with some yellow. This represents a beautiful sunset and/or sunrise, which obviously gives a relaxed and euphoric mood. Los Angeles is a city that can boast a lot of beautiful sunsets/sunrises, so that tells us that life in Los Angeles is a beautiful thing. The bottom of the mural shows us some blue, triangularly shaped objects. These objects are most likely the San Gabriel Mountains that lay in the background in every iconic LA image, or it can represent the waves of the Pacific Ocean along our iconic …show more content…
It seemed like as if LA was pressured to make a split second decision by considering the amount of tagging that had occurred on it. I also think that since they were so concerned with the taggers, they completely forgot about the what this mural stood for, so now they were put on the spot. If I was facing this situation as the artist of the mural, I would be infuriated because the city of Los Angeles doesn 't even appear to show some interest towards the mural. I would also persuade the city to recognize what this mural means to everyone, so that they can realize what really counts when it comes to the

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