Komunyakaa early on describes the difficulty he has resisting the wave of sadness that comes over him saying, “I said I wouldn’t dammit: No tears. I’m stone. I’m flesh,” (lines 3-5). Later on, the audience receives a firsthand experience from Komunyakaa’s time in the Vietnam War. He writes, “I touch the name Andrew Johnson; I see the booby trap’s white flash,” (lines 17-18). This describes how those viewing the memorial, including himself, wish they could bring loved ones back to life. In death, Andrew Johnson reminds Komunyakaa of how close he came to being one of the names on the wall and how lucky he is to be alive. His life “flashed” before his …show more content…
Komunyakaa uses his articulate diction and simplifies it for the audience in this use of figurative language. He says, “I go 58,022 names, half-expecting to find my own in letters like smoke,” (lines 11-13). This simile compares his possibility of \not being alive to going up like smoke. The audience can understand this more because going “up like smoke” is commonly known as disappearing into thin air, and in this case leaving the earth and dying. Komunyakaa also uses metaphors to make comparisons with things an audience member may see on a daily basis writing, “In the black mirror a woman’s trying to erase names: No, she’s brushing a boy’s hair,” (lines 29-31). By using this metaphor, Komunyakaa compares the memorial to a mirror in which the audience already knows he can see his reflection. He also describes how a woman, possibly touching her son’s name, is trying to erase him from the wall and bring him back to life, but in reality she is remembering the times we she used to brush his