The facade is nearly square in proportion with an entablature, on which the frieze is evenly divided into smaller squares with pilasters. The cross shape of the pilasters serve not only to amplify the symmetry of the structure but also represents the cross itself, a meaningful connection to the church to which the chapel is attached, the Basilica of the Holy Cross. The Pazzi Chapel’s Christian iconographic application of Roman design themes originally associated with pagan worship shows how Brunelleschi and later Italian Renaissance architects such as Bramante adopted the techniques and appeal of antiquity to serve the needs of Christian
The facade is nearly square in proportion with an entablature, on which the frieze is evenly divided into smaller squares with pilasters. The cross shape of the pilasters serve not only to amplify the symmetry of the structure but also represents the cross itself, a meaningful connection to the church to which the chapel is attached, the Basilica of the Holy Cross. The Pazzi Chapel’s Christian iconographic application of Roman design themes originally associated with pagan worship shows how Brunelleschi and later Italian Renaissance architects such as Bramante adopted the techniques and appeal of antiquity to serve the needs of Christian