This nearby up on Norman's jaw and throat flags the begin of a several. As Norman pulls again from his lean, Hitchcock starts to catch the consequent discussion about Marion's stay at Bates Motel through a precise utilisation of slight low and high edge quit for the day, individually, on both characters.
In the first place, every character is caught in a low angle. They both have control here: Arbogast has the learning that Norman lied and Marion really remained at Bates Motel. Norman has control on the grounds that Arbogast does not know Marion was killed and he was included.
In the first place, every character is caught in a low angle. They both have control here: Arbogast has the learning that Norman lied and Marion really remained at Bates Motel. Norman has control on the grounds that Arbogast does not know Marion was killed and he was included.