Phillip J. Riley, author of a critical essay analyzing the nuances of Phantom of the Opera, states that “[Erik’s] mistreatment by man, from childhood, was the cause that turned him away from his God” (Riley 1). From the age of three, Erik had hid his disfigured face from society, including his father, who left him at a young age, as well as his mother, who, according to Erik, “made me a present of my first mask” (Leroux 130). We can see the same xenophobia that the Tutsis faced in Rwanda in Erik’s life, so much so that his own family couldn’t stand looking at him. Later in his life, Erik retreated to the labyrinth under the Paris Opera House, where he stayed for many years, not showing anyone his face, and killing any who saw his disfigurement. Many of the employees at the Paris Opera House were fearful of Erik, turning the man into a myth, creating his ‘phantom’ persona. They had never seen Erik face to face, and were afraid of his power and knowledge over them. This sheds light on the xenophobia that the employees of the Opera House felt towards Erik because of his
Phillip J. Riley, author of a critical essay analyzing the nuances of Phantom of the Opera, states that “[Erik’s] mistreatment by man, from childhood, was the cause that turned him away from his God” (Riley 1). From the age of three, Erik had hid his disfigured face from society, including his father, who left him at a young age, as well as his mother, who, according to Erik, “made me a present of my first mask” (Leroux 130). We can see the same xenophobia that the Tutsis faced in Rwanda in Erik’s life, so much so that his own family couldn’t stand looking at him. Later in his life, Erik retreated to the labyrinth under the Paris Opera House, where he stayed for many years, not showing anyone his face, and killing any who saw his disfigurement. Many of the employees at the Paris Opera House were fearful of Erik, turning the man into a myth, creating his ‘phantom’ persona. They had never seen Erik face to face, and were afraid of his power and knowledge over them. This sheds light on the xenophobia that the employees of the Opera House felt towards Erik because of his