An insider to a musical tradition hears it differently compare to an outsider. The insider tends to react to his or her own cultural music in ways that draw on a lifetime of consciously absorbed cultural knowledge and attitude while the outsider tries not to bring ethnocentrism into her or his interpretations. Hearing a musical an insider understood the music and she he can perform while an outsider hears and performs the music, but an outsider cannot understand the music. The insider appreciates the music by writing and producing a new music whereas the outsider can write the music, but he or she cannot produce a new music by following the rhythm and vocal that
An insider to a musical tradition hears it differently compare to an outsider. The insider tends to react to his or her own cultural music in ways that draw on a lifetime of consciously absorbed cultural knowledge and attitude while the outsider tries not to bring ethnocentrism into her or his interpretations. Hearing a musical an insider understood the music and she he can perform while an outsider hears and performs the music, but an outsider cannot understand the music. The insider appreciates the music by writing and producing a new music whereas the outsider can write the music, but he or she cannot produce a new music by following the rhythm and vocal that