Kirsten Powers goes into much of this in her book, “The Silencing.” Anyway, quite a bunch of little Marats and Robespierres we’re bringing up.
But I was taken aback by a piece a few weeks ago in the Spectator, the student newspaper …show more content…
The student, the authors reported, is herself “a survivor of sexual assault” and said she was “triggered.” She complained the professor focused “on the beauty of the language and the splendor of the imagery when lecturing on the text.” He did not apparently notice her feelings, or their urgency. As a result, “the student completely disengaged from the class discussion as a means of self-preservation. She did not feel safe in the …show more content…
Another student, they report, suggested in her class that maybe instead they could read “a Toni Morrison text.” A different student responded that “texts by authors of the African Diaspora are a staple in most high school English classes, and therefore they did not need to reread them.” That remark, the authors assert, was not only “insensitive” but “revealing of larger ideological divides.” The professor, they report, failed at this moment to