Each example has a distinct tone, theme, and message. Emma Lazarus’ The New Colossus describes a welcoming, hospitable country who welcome immigrants of any kind with a raised beacon. Thomas Aldrich’s Unguarded Gates evokes a love of how America is, and a deep concern for how immigrants might negatively affect. The Modern Moses, like The New Colossus depicts a welcoming figure, easing the passage of the downtrodden toward a brighter future. And Reluctant Welcome, like Unguarded Gates, urges caution and scorn of immigrants for fear of what baggage they might bring with them. These sources all invoke emotions, from fear to love and nurturing. In this way they communicate attitudes toward immigration in a way that prose might struggle to. However, despite their emotional strength, these forms lack the descriptive strength of other writing. They do not make reasoned arguments, but instead appeal almost solely to emotion. As such they are important to understanding attitudes, but cannot stand on their
Each example has a distinct tone, theme, and message. Emma Lazarus’ The New Colossus describes a welcoming, hospitable country who welcome immigrants of any kind with a raised beacon. Thomas Aldrich’s Unguarded Gates evokes a love of how America is, and a deep concern for how immigrants might negatively affect. The Modern Moses, like The New Colossus depicts a welcoming figure, easing the passage of the downtrodden toward a brighter future. And Reluctant Welcome, like Unguarded Gates, urges caution and scorn of immigrants for fear of what baggage they might bring with them. These sources all invoke emotions, from fear to love and nurturing. In this way they communicate attitudes toward immigration in a way that prose might struggle to. However, despite their emotional strength, these forms lack the descriptive strength of other writing. They do not make reasoned arguments, but instead appeal almost solely to emotion. As such they are important to understanding attitudes, but cannot stand on their