For example, the carefully manufactured presidential images reduce each one to a meaningless caricature without emotional importance, echoing Giuseppe Zangara’s sentiment that “I no care who I kill, long as it’s king!” Presidents in the scenes were basically a stand-in for any person in the ruling class, from tyrants to kings. The first spotting of a president was nothing more than the clown-faced proprietor wearing an obviously fake beard and top hat. The impersonal costume helped to maintain a focus on the complicated tales of the assassins instead of toward the remembrance of a beloved American figure. Throughout the show, historical images were minimized even down to the pouring red confetti after the final assassination takes place. Though the confetti harkens to an American celebration in which red, white, and blue confetti falls in large quantities from above, the reduced color scheme keeps it accessible to
For example, the carefully manufactured presidential images reduce each one to a meaningless caricature without emotional importance, echoing Giuseppe Zangara’s sentiment that “I no care who I kill, long as it’s king!” Presidents in the scenes were basically a stand-in for any person in the ruling class, from tyrants to kings. The first spotting of a president was nothing more than the clown-faced proprietor wearing an obviously fake beard and top hat. The impersonal costume helped to maintain a focus on the complicated tales of the assassins instead of toward the remembrance of a beloved American figure. Throughout the show, historical images were minimized even down to the pouring red confetti after the final assassination takes place. Though the confetti harkens to an American celebration in which red, white, and blue confetti falls in large quantities from above, the reduced color scheme keeps it accessible to