While examining Alex Da Corte’s exhibit, Free Roses, I felt comfort through immersion in both the complexities and simplicities of life presented by the artwork. As I walked into the first and main room of the exhibition, the first aspect of it that caught my eye was its layout. The arrangement engendered eight different zones that were positioned in a grid-like manner so that people could fully immerse themselves in the art and walk around each part. After examining, the different zones I sensed the connection; I felt as if I was a visitor in someone’s home. The lights hanging above each zone provided me with a deeper engagement because I felt as if I was under the same roof as the imaginary inhabitants of the exhibit. Creating a welcoming
