Individualism as the Downfall of Revolution Revolution, by definition, is the creation of massive, world-altering change. It embodies the crumbling of old morals, traditions, habits, technology, and hierarchies. In the era of the May Fourth Movement in China, this was no less the case; revolutionaries sought an enormous paradigm shift, especially in terms of China’s culture and values. This is expressed clearly in the literature and film of the era, through creators such as Lu Xun and Cai Chusheng. However, the works of these authors reflect a troubling theme of the crusade against tradition, wherein the revolutionary protagonists meet with sparse sympathy and even less success.…
Nowadays, Weiwei lives in his studio, but there's cameras all over his neighborhood to ensure the government that Weiwei is being watched constantly. I find Weiwei’s work to be art because he has a personal experience with his art subject and with his audience. Art is an expressive way to communicate skill and imagination but a large part of art is the experience an individual has in making it. Weiwei’s uses art to create a division and a revolution in people’s minds. For example, Weiwei took a series of shots where he smashes and old and valuable urn from the Han dynasty and he explains his reasons, Weiwei says that Mao Zedong, a former chinese chairman, believes in destroying the old world to create a new world.…
Even though that Shi Huangdi was a ruthless ruler, he still did unified China. But there were also several significant identities that further unified China. After the Qin dynasty was overthrown by the Han dynasty, under Emperor Wudi reign, who was the greatest Han Emperor, he expanded China’s territory by invading northern Vietnam and Korea, in which eventually was under his rule. A Chinese form of government ruled this invaded countries according to Confusian principles. China had became more unified when the Han dynasty achieved its period of greatest prosperity.…
Answer the prompt in a rhetorical analysis essay below. Identify the critical event in the memoir you have chosen to analyze and evaluate. Write the title and author here: Da Chen How does the memoirist craft language to illustrate the significance of a life-changing-event? China’s Son, written by Da Chen, is a fascinating memoir about his own childhood.…
A societal change must first come from within since, as Osamu Dazai, a Japanese writer, best puts it, “What is society but an individual?” I have always tried to break the impossibilities myself before promoting others to do the same. More specifically through my passion for connecting with the Chinese society that I was intimately surrounded by, I learned the Chinese language, and soon my classmates and teachers, who once thought Chinese was an impossible language to master, realized that they too can learn. Changing ourselves is however not an easy task and it requires self-motivation, knowledge, and a passionate heart.…
A person’s sense of identity is often heavily determined by their views and place in society. Especially in a country like China where there are rigid social norms and morals, different people may have conflicting perspectives about their identity. Gene Luen Yang’s two volume graphic novel, Boxers and Saints, illustrates the parallel stories of two young kids caught up in China’s late nineteenth century Boxer rebellion. Throughout their lives, questions arise about their identity and personal choice of actions. Both Bao and Four Girl are presented with challenging circumstances and experiences that stir their decisions about faith, rebellion, and pursuits.…
Qin Shi Huang Di ordered the construction of his mausoleum which included the Terracotta Army shortly after ascending to the throne. Over 700,000 labourers were involved, unfortunately this was halted amid revolts a year after Qin Shi Huang Di's death. Qin Shi Huang Di wanted the Terracotta Army built so that he can be protected by them in the afterlife. The Terracotta Army, and the other statues found in the Emperor's mausoleum indicates the beliefs of Ancient China had regarding death and immortality. It was believed that there would be an afterlife, and the belongings/possessions that they are buried with will be what they carry with them into the afterlife.…
The use of hair, felt, cotton, and silk, channels her memories as a child. These basic materials draw the attention of the viewer away from the material world and into the present, physical world. A slap at China’s Imperial ties, and materialistic society by the use of silk, while also showcasing the beauty and bond to nature of these materials; silk is made by worms and is a very earthly material even though it signifies luxury. The use of silk in her work showcases these ideas while also placing emphasis on the the pleasant and unpleasant realities in which are faced in China. As an artist, Tianmiao hopes to draw other Chinese artists back to this idea by incorporating components of tradition to their contemporary art.…
Ian Fessenden ARTH-1300 11/1/17 Annotated Bibliography for “Dog” Berthold Laufer, Chinese Pottery of the Han Dynasty (EJ Brill Ltd. 1909) X-11 https://babel.hathitrust.org/cgi/pt?id=wu.89057248973;view=1up;seq=21 Examines the techniques, skills, and crafts of the Han Dynasty Era pottery. Does so through an analysis of the history of pottery prior to the Han Dynasty, during it, and post Han Dynasty, therefore to present the changes and shifts in cultural,religious, and societal influences within the pottery from the time. Additionally, Laufer investigates what different vessels, species, and figures in the pottery stand to represent whether it pertains to cultural context, self preservation, or religion.…
Why must uprisings and revolutions (within this context) occur? Almost always, the term revolution has a negative connotation. However one must understand that drastic times call for drastic measures. Uprisings do not occur spontaneously. Sometimes in order for people to live peacefully in their countries, they must hold their government accountable for the latter's inability to satisfy the former's need.…
Jade Snow Wong’s Fifth Chinese Daughter outlines the cultural struggles the author faced as a Chinese-American. Born in America, yet raised Chinese, Wong began to form her identity in the middle of this cultural clash. On one hand, Wong witnessed the promotion of individuality from American families, on the other her family taught her individuality is less important than the family as a whole. Various cultural factors pushed and pulled Wong throughout her life – some she embraced, some she fought – which allowed her to form her own unique Chinese-American identity.…
Although, the course has prompted the analysis of culture and identity through the expression of various artists. Many assignments prompt the student to not think about how they see the work, but rather what the artist intended and how the artist expressed their own identity and/or…
The artwork of Ai Weiwei encompasses the artist’s relationship with his culture, government and self-identity. The artwork I have chosen is “Sunflower Seeds” 2010, which filled the huge Turbine Hall of London’s Tate Modern. The installation of 100,000 million sunflower seeds also included booths on each side of the exhibit housing video interactive video equipment allowing the viewers to ask questions to Ai that he answered via Tate website. The other installation is in “Evidence” series 2014, named “Stools”. The “Evidence” exhibit was unveiled first in Berlin’s Martin-Gropius Bau museum.…
China: Human Rights and Status of Oppressed Groups Premise: The evidence will support that the world-wide movement to protect the rights of oppressed groups has not reached nor affected China; indeed, there is strong resistance to correcting human rights abuses. In the summer of 1989, Chinese students protested in Tiananmen Square, Beijing, facing off against government troops and tanks. From this event came an iconic image, of a man holding his shopping bags, facing off against a line of dozens of tanks and barring the way to the square and the protestors (Phelan). A lone man stood fearlessly in front of a tank, determined to stop their progress, and for a moment, the tanks stood still.…
What started out as a discontented story of a girl who denied her Chinese background concluded with the same woman fully acknowledging her own Chinese cultures, customs and heritage leading up to willingness and embracing of one’s ethnicity. By the use of diction, breaks-between-paragraphs technique, imagery, and organization; Amy Tan ties together the main ideas of each short story, bringing them all together to reveal the ultimate theme of…