Both A Streetcar Named Desire and A Taste of Honey include characters who are victims of their sexuality. These two texts were written in 1947 and 1958 respectively, and this period of time showed a specific attitude towards homosexuality: Homosexuals were treated with constant disrespect and homosexuality was also classed as a mental disorder. These views were also evident towards women who engaged in sexual relations outside of marriage. The negative attitudes towards characters such as Geoffrey and Helen from A Taste of Honey, and Blanche and Alan from A Streetcar Named Desire show how they are often victimised because of their sexuality. Sexual promiscuity is a character trait found in both Blanche and Helen, and they gain negative reputations due to the way Williams and Delaney present them.…
1. Streetcars normally would be seen as merely a symbol of destiny or fate which is impossible to prevent due to the constant running on the rails to the final destination. However, Williams views the streetcar, “Desire”, as something more than just an undefined force because what led Blanche to her overall destruction is her sexual desire and passion. "Cemeteries", however, is connected to “Desire” because it reinforces the reminder that a life driven by desire only ends in one fatal way. A).…
Where someone not great is put into a situation where they are forced to try and cope when a situation puts them are under pressure. The audience finds this type of tragedy entertaining because of the way the hero/heroine reacts under pressure. For example in Arthur Miller's tragedy 'A View from the Bridge' - Eddie is under pressure when two immigrants come and live with him, and his main flaw is jealousy. To begin with, A Streetcar Named Desire is considered as a tragedy because it has a tragic heroine. Each tragic hero or heroine has the potential to do, they are characterised as being the perfect hero except for his/her flaws, they are in conflict with at least one person around them, they are trapped in situations that they cannot get out of, they seem to be doomed from the start and they bring about their own downfall.…
Similarly in A Streetcar Named Desire one of the main characters Blanche Dubois has the same problem with being delusional. She goes and meets her sister Stella and begins to fabricate a story about what has happened to her. She tries to go about finding love by telling Stella, Stanley and countless men lies about her past. When Blanche arrives at Stella’s house she is talking to Stanley and he asks her if…
Gender equality has been debatably the most pressing issue for the last century. Unfortunately for many this equilibrium between the rights of men and women has yet to be reached. Throughout the play A Streetcar Named Desire, it becomes clear that characters conform to gender roles, which have been set forth in our history. More specifically in the way men treat women and how women expect to be treated. These gender roles have been changed over time, but many examples of these events can still be found today.…
The American Dream is based on the principles of endless opportunity and second chances for all in a new world. The hope of possible success and progress along with the possible freedom from their past mistakes lures the disheartened to a place where no one might know their name. However, in actuality, second chances and rags-to-riches stories are a rare find. Reputations are difficult to escape, and temptations can cause old mistakes to reemerge.…
Love is such power that neither forces and nor give up. Love is such power, which neither forces and nor give up. Each one of us, repeats the same object in another, and a beautiful packing and design. Otherwise, exist nothing new. It is just our conception at various levels.…
Stella Kowalski character often overlooked in Tennessee Williams, A Streetcar Named Desire. Throughout the play, the reader tends to become invested in Blanche and Stanley’s dominating roles, reducing Stella to the rivalry’s mediator. However, Stella’s development throughout the story is the deciding factor of Blanche’s inevitable fate. By the end of the play, Stella’s relationship to reality begins to crumble. Much like her sister, she begins to deny the truth, choosing the live in ignorance and denial if it meant she could continue living comfortably.…
Tennessee Williams wrote his play A Streetcar Named Desire in a time where women were heavily oppressed by the patriarchal society in which they lived. While men were seen as the superior gender, women were constantly undermined and expected to stay at home to raise their family rather than go out and pursue their own jobs or independent lifestyles. Throughout the play, the reader can observe the downfall of a character like Blanche DuBois who was nothing like the idealistic conservative female that society expected her to be. Living in the household of the aggressive Stanley Kowalski, who was used to controlling everything around him, her feelings of inferiority were only intensified. By Williams representing both genders like this, it helped…
Feminism is the advocacy of women's rights on the basis of the equality of the sexes. While the feminist movement is important in the present day, the play written in 1947 by Tennessee Williams became known for its portrayal of the dynamics between men and women. In the play, A Streetcar Named Desire, feminism plays the main role. Taking place after the second world war, the men of this play assume that they have more power than women. While, in reality, the women have the same or greater strength.…
In Who’s Afraid of Virginia Woolf and in A Streetcar Named Desire, Edward Albee and Tennessee Williams use fear and anxiety to present social criticism. Through symbolism, subtext and stage direction, high emotional tension becomes a focal point which allows audiences to question the morality of both the characters’ choices and their own. Symbolism in both plays demonstrate fear of reality. In A Streetcar Named Desire, “delicate beauty” (1. 5) Blanche DuBois uses darkness as a method of illusion to hide her true mentally unstable nature.…
“All of us grow up in particular realities-a home, family, a clan, a small town, a neighborhood. Depending upon how we’re brought up, we are either deeply aware of the particular reading of reality into which we are born, or we are peripherally aware of it”(Chaim Potok). The definition of a relationship between man and women has adjusted with our ever changing society, while some people are able to adapt with societies modifications, others are too intune with the ideals they grew up with. In Tennessee Williams’ play, A Streetcar…
William Tennessee would have to consider these factors and change this situation for a feminist to read the play and enjoy…
Society of Tennessee Williams’ time saw sexuality as a negative aspect of ourselves that should be suppressed because of its destructive nature. Throughout A Streetcar Named Desire Williams showcases his characters in this anti-sex society. He presents his characters in this society, not to praise it, but instead to highlight the negative effects of existing in such a world. Furthermore, through the actions and consequences his characters face in conforming to society’s standards, Williams manages to communicate a story that condemns society for keeping people from expressing their sexuality and from being stable, whole and sexual human beings. Expressing sexuality or sexual desires leads the plays’ characters to death or to ruin.…
Feminism is the advocacy of women's rights on the basis of the equality of the sexes. While the Feminist Movement is important in the present day, the play written in 1947 by Tennessee Williams became known for its portrayal of the dynamics between men and women. In the play, Streetcar Named Desire, feminism plays the main role. Taking place after the second world war, the men of this play assume that they have more power than women. While, in reality, the women have the same or greater strength.…