History of theatre

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    the others in the play and the director’s interpretation. The actor must go through psychological and emotional preparation as well, one interesting way to do this is through emotion memory. This is when the actor searches through their emotional history for parallel situations, in order to recall the emotion that they felt at that time and incorporate that into their acting. It is also important that the actors are comfortable with their blocking or movement if they are not it needs to be…

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    The production of his first two Broadway plays, The Glass Menagerie and A Streetcar Named Desire, secured Tennessee Williams's place, along with Eugene O'Neill and Arthur Miller, as one of America's major playwrights of the twentieth century. Critics, playgoers, and fellow dramatists recognized in Williams a poetic innovator who, refusing to be confined in what Stark Young in the New Republic called "the usual sterilities of our playwriting patterns," pushed drama into new fields, stretched the…

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    Nora Scene 12 Analysis Paper In Nora there is a handful of characters who share the stage in Ingmar Bergman’s adapted version of A Doll’s House, by Henrik Ibsen. In this small ensemble of characters, two seemed to speak to me the most. Those characters were Nils Krogstad, the antagonist, and Christine Linde, the supporting female. While reading the script none of the characters felt real, I felt disconnected to the other lot of them, but, I could understand the struggles of Mrs. Linde and…

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    Ubu Roi Pshite Analysis

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    cannot help but feel that the spirit of Alfred Jarry was with us, calling for a blanket of merdre for these new, wannabe Ubu-ites. Works Cited: de Régnier, Henri. “Alfred Jarry.” De mon Temps, Mercure de France, 1933, 152. Jarry, Alfred. “Questions de théâtre.” Ubu, ed. Noël Arnaud and Henri Bordillon, Gallimard Folio, 1978, 346. Wong, Julia Carrie. “Turd Reich: San Francisco Dog Owners Lay Minefield of Poo for Rightwing Rally.” The Guardian, Guardian News and Media, 24 Aug. 2017,…

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    1. Metatheatrical is a term that refers to a moment when a play talks about the conventions of doing theatre (this happened a lot in Passion Play). Indicate three moments of metatheatricality in Well. What effect did these moments have on you while you were reading? a. Moment 1 The first moment is at the beginning of the play when Lisa introduce herself to the audience and mentioned that “this play we’re about to do deals with issues of illness and wellness.” (Page 1) the metatheatrical in this…

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    Titus Maccius Plautus was a Roman playwright who leads huge influence on theatre development. He mainly wrote comedies. His comedies based on Greek comedies and it’s fascinating because of its humorous. Meanwhile, Plautus was also engaging in social criticism because the five plays reflected some social problem of the Roman society. The first play of the five assigned ones is “The Pot of Gold”. The main theme of this one is the process that how Euclio changed to a good man, or the evolution of…

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    the 'slap stick' in English. There are records of clownish performances in Egypt from 2500 B.C. and in China from 1800 B.C. Later in history, in the Middle Ages, groups of people would travel around Europe to juggle, dance, perform magic, walk the slack rope, or present funny business. Slapstick comedy became popular in 19th-century music halls and Vaudeville theatres. And now some of the most recent films that are slapstick are movies like “Happy Gilmore” or “Monty Python and the Holy…

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    community-oriented programs”(Ed, Palante! A Brief History of the Young Lords) "The Universes the Party People Salon is a national/international ensemble company of multi-disciplined writers and performers of color, who fuse theater, poetry, dance, jazz, hip-hop, politics, down home blues and Spanish boleros to create moving, challenging and entertaining works for the stage. The group breaks the bounds of traditional theatrical bounds to create its own brand of theatre, inviting old and new…

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    One element that I did not like from the Hamlet performance was the time period the director had chosen to stage it in. I expected the actors to recite the Hamlet play-text in a modernized way since the time period was set in the 1950s; it only made my ability to comprehend the actor’s dialogue more complicated and confused. The second element I did not like from the Hamlet performance was the role change of Laertes from Morgan C. Hall to Rex Glover. I was really looking forward to watching a…

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    Lawrence and his team did an impressive job in one hour to show the play. There are multiple things to discuss like the acting, directing, scenic, playwriting, costume, lighting, and sound design. The first thing I looked at when I walked in the theatre was how the lighting had been arranged. When we sat down and the play started the main focus is on the stage. All the lights pointed to the stage while the audience blended in with the lights off. This made sense because you want to keep the…

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