Leo Braudy, born June 11, 194, in Philadelphia Pennsylvania. Braudy received his B.A. from Swarthmore College in 1963, his M.A also in 1963 and his Ph.D from Yale University in 1974. His main course of study was 17th-18th century English Literature, film and criticism as well as American Culture. William Kurtz Wimsatt and Robert Penn Warren were both professors of history during Braudy’s time at Yale and are co-authors of Literary Criticism: A Short Story. With criticism being a main course of…
From beginning as a waitress, to a lifeguard, to a poetry teacher for prisoners, and then to being named one of the Most Beautiful People, author Louise Erdrich has become an inspiring American novelist for Native Americans all over the country (Fun Facts About Louise). Louise Erdrich’s novels feature Native American characters and settings. Highly encouraged by her parents, she begins writing poems, but later will have made novels, that like Tracks, that truly do make her an American author.…
Throughout Maxine Hong Kingston’s The Woman Warrior: Memoirs of a Girlhood Among Ghosts, there is focus on repression, silence, and obedience. Kingston weaves her story through five small tales that show the expectation of Chinese and Chinese American women. With a focus on the tale of the “No Name Woman,” the plight of Kingston and her family is exposed, as is the years of Chinese oppression. Through the tale of the “No Name Woman” in The Woman Warrior, Kingston reveals her own desire to be…
Through The Woman Warrior Maxine Hong Kingston recounts on her life as well as her family’s past. Her cultural background calls for many unheard of customs and stories. Kingston’s mother teaches her daughter lessons through stories to show the importance of a message. Both death and ghosts reappear throughout the memoir and how ghosts never die. Kingston describes how revenge is a driving force for many actions throughout the memoir and how death seems to be answer to all issues but is not.…
The Meaning of Art In Dorothy Allison’s, This is Our World, she creates many arguments about art, artists, and the way art is viewed. There are many times throughout the essay where she claims the audience can interpret art differently. However, this is not always the case. The interpretation of art is not always up to the audience. The audience can view art differently, but it is not the choice of the audience, it 's the choice of the artist to allow them to perceive it differently. Allison…
In the preface to The Picture of Dorian Gray, Oscar Wide writes: “It is the spectator, and not life, that art really mirrors”. Discuss this statement with close reference to the text. Introduction The quote, “It is the spectator, and not life, that art really mirrors,” is a case in point of Dorian Gray’s portrait. Dorian’s image reflects his inner self, and mirrors his soul. The Picture of Dorian Gray highlights the idea of aestheticism and challenges influence of art over an individual instead…
What is Art History? According to many dictionaries, Art history is the study of objects of art in their historical development and stylistic contexts, i.e. genre, design, format, and style. This includes the "major" arts of painting, sculpture, and architecture as well as the "minor" arts of ceramics, furniture, and other decorative objects. Art history is a big book that is hard to talk about in single pages. Here is a research paper comparing between the White Temple and ziggurat, Uruk and…
The Plumb Bob has stood at the atrium of SIUE, at the Goshen Lounge for more than 50 years. It was created by one of the most prestigious and well renowned artists named Yasuhide Kobashi.in the year 1967. It was placed in the Goshen Lounge as a graceful decoration of the lounge after its construction was completed. The sculpture sits on a space that was designed to specifically complement the beauty and size of the work of art. The nature and environment of the sculpture allows it to move along…
In Phillip Prager's article titled, “Making an Art of Creativity: The Cognitive Science of Duchamp and Dada”1, Prager specifically wants to assure people that Duchamp's piece Fountain should in fact be considered art. He states that, “Dada's redefinition of art in terms of creativity is perhaps most poignant in Duchamp's readymades found objects that he allegedly transformed into works of art merely by signing and placing them within an art context”(4). He goes on to say that any of the…
I have places inside me where there are works of art: internal abysms that feel full, physical, like forces that fuse past and present. In the early 2000s, I spent four straight days in the Prado; all of it's still within me like some huge, Proustian madeleine. Almost every Bosch, Cézanne, Matisse, Alice Neel, Bill Traylor, Martín Ramírez, and Marsden Hartley that I've ever seen can flash like lightning at will. I spent a day enraptured by Matthias Grünewald's Isenheim Altarpiece in Colmar. (I…