Theory Iv Final Hatmaker

Front 1

Standard dance movements found in the developed Baroque suite

Back 1

Allemande, Courante, Sarabande, (optional Minute, Gavotte, Bouree, etc) Gigue

Front 2

Most suite movements use which form

Back 2

binary

Front 3

Passacaglia

Back 3

repeated bass line

Front 4

Chaconne

Back 4

ground bass, repeated harmonic pattern

Front 5

Movement which has the basic parts of the sonata form, but each part is much shorter is called a

Back 5

Sonatina ?

Front 6

Structural Functions

Back 6

Expositional, Transitional, Developmental, Terminative

Front 7

Which part of the concerto sonata form is a cadenza most likely to occur?

Back 7

end of the recap

Front 8

Chopin's dates

Back 8

1810-1849

Front 9

JS Bach's Well-Tempered Klavier is

Back 9

24 Preludes and Fugues

Front 10

Dramatic musical story, usually religious, that is not staged

Back 10

Oratorio

Front 11

JS Bach wrote over 300 of these liturgical multi-movement works that have vocal solos, choruses and instrumental works, for his church services

Back 11

Cantatas

Front 12

Song with speech-like rhythms, accompanied by sustained chords, and may present dialogue or a narrative of the story

Back 12

Recitatives

Front 13

German art song

Back 13

Lied

Front 14

French art song

Back 14

melodie

Front 15

german song cycle

Back 15

lieder kreis

Front 16

examples of structural phenomenon

Back 16

change of key, texture, instrumentation, tempo, dynamics, register, etc

Front 17

A section of a Rondo

Back 17

Refrain, Reprise, or Ritornello

Front 18

B section of a Rondo

Back 18

Episode

Front 19

Passage of music in a rondo which links A to B

Back 19

transition

Front 20

Common key for the second section of a five part Rondo in dm

Back 20

BM

Front 21

Two types of Continuous variations

Back 21

Passacaglia and Chaconne

Front 22

Common 7 part Rondo

Back 22

ABACABA

Front 23

Only part of the concerto, just before closing, occurs over a cadential 64, "time to be virtuosic," usually ends with a trill

Back 23

Cadenza

Front 24

Immediate overlapping restatement of a melody potentially with manipulations

Back 24

Imitation

Front 25

Strict imitation

Back 25

Cannon

Front 26

Imitation without a strict ending

Back 26

round

Front 27

2 part counterpoint, answered by the octave

Back 27

Invention

Front 28

3-5 part counterpoint with a Subject, Answer, and Counter, answered by the 5th

Back 28

Fugue

Front 29

Binary form birthed...

Back 29

Sonata

Front 30

Ternary form birthed...

Back 30

Rondo

Front 31

4 part form

Back 31

Quaternary

Front 32

Chopin's Preludes

Back 32

Preludes for any occasion, formal yet experimental

Front 33

Presence of immediate juxtaposition between 2 different voices with 2 chromatically different tones

Back 33

Cross Relation

Front 34

Recitative with continuo accompaniment

Back 34

secco

Front 35

Recitative with orchestra accompaniment

Back 35

Accompagnato

Front 36

Sectional Variation Characteristics

Back 36

Sections end with PAC, large scale form is ternary, longer variations,

Front 37

Continuous Variation Characteristics

Back 37

Sections end with HCs or links, large scale form is binary, shorter variations (Chaconne and Passacaglia)

Front 38

"Grand Concerto," Multiple soloists, Baroque

Back 38

Concerto Grosso

Front 39

Compositional genre in which melodies continue beyond typical classical lengths, and who?

Back 39

Fortspinnung, Bach

Front 40

Dependent

Back 40

Transition begins with material from theme 1

Front 41

independent

Back 41

Transition doesn't begin with material from theme 1

Front 42

Theme 1 appears in the development in the secondary key, but only for a measure or two

Back 42

False Recapitulation

Front 43

Homophonic

Back 43

Melody and Accompaniment

Front 44

Polyphonic

Back 44

2 plus melodies, independent

Front 45

2 plus musical lines within one melody

Back 45

compound melody

Front 46

underlying melody

Back 46

step progression

Front 47

If there is a prominent dominant

Back 47

Tonic Answer
Dominant becomes tonic

Front 48

If there is no prominent dominant

Back 48

Real Answer
Exact transposition

Front 49

Motive held over a beat then followed by downward motion

Back 49

Cascade motive

Front 50

Carved subject

Back 50

Sogetto Cavato

Front 51

typical name for a 3 part invention

Back 51

Sinfonia

Front 52

"tighten," Fugues with overlapping subjects

Back 52

stretto

Front 53

Anything that appears after the final subject statement in a fugue

Back 53

Coda

Front 54

Serenades are found in what form

Back 54

Sonata

Front 55

chamber plus piano =
Cello, Violin, Piano =

Back 55

Piano quintet
Piano trio

Front 56

string instrument never used in chamber groups

Back 56

double bass

Front 57

Multi-movement (usually 4) for orchestra

Back 57

Symphony

Front 58

Multi-movement work (usually 3) for soloist (s) and orchestra

Back 58

Concerto

Front 59

One movement work for orchestra, either opening a dramatic work or programmatic in nature, usually sonata form

Back 59

Overture

Front 60

Multi-Movement work (4-10) for orchestra or ensemble, usually lighter in nature (for social occasions) forms vary

Back 60

Serenade/Divertimento

Front 61

Multi-Movement work for a solo instrument or an instrument accompanied by piano

Back 61

The Sonata

Front 62

Movement written in Sonata form, allegro, in the tonic key

Back 62

I

Front 63

Movement written in Sonata, Sonata Rondo, or Th and Var, Fast tempo, and tonic key

Back 63

IV

Front 64

Movement with Sonata form with retrans (no development) , ABA or Th and Var, Slow tempo, and IV for Major/ VI for minor

Back 64

II

Front 65

Composite Ternary (Minute and trio, or scherzo and trio), moderate or fast tempo, Tonic Key

Back 65

III

Front 66

Movement which is omitted in concertos

Back 66

III