Reading...
Play button
Play button
Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
32 Cards in this Set
- Front
- Back
|
in the glass menagerie, what piece of glass does laur give to jim?
|
the unicorn
|
|
|
what are the characteristics of a fine play
|
creditablity and intrigue
|
|
|
denouement
|
falling action
|
|
|
father of the "method"
|
Lee Strasberg
|
|
|
Amanda's superior objective
|
seeing her children married adn happy
|
|
|
exposition
|
background info
|
|
|
the relationship of hte parts of the play with the whole and the whole with its different parts
|
structure
|
|
|
how does willy's brother make his fortune
|
he ended up woth diamond minesin africa
|
|
|
according to Aristoles thrid analytical component of tragedy the centeral idea is
|
theme
|
|
|
where does tom go that makes amanda upset
|
the movies
|
|
|
how does theaterical differ from film performances
|
theaterical is live, audiences adn performers, communal and aware of eachother
|
|
|
"carrier of hte action"
|
Antagonist
|
|
|
blocking
|
the physical foundation of hte actors performance
|
|
|
high concept
|
unexpected new reading of a fimiliar text
|
|
|
oldest form of theaterical design
|
costume
|
|
|
oversees the construstion of hte scenery
|
technical designer
|
|
|
initiates the center conflict
|
inciting incident
|
|
|
"teacher"
|
didaskalos
|
|
|
GM is a memory play told from
|
Tom's memory
|
|
|
"Theatre" coming form Theatron
|
seeing place
|
|
|
Drama, greek
|
to do
|
|
|
minimal requirement for theater building is
|
a place ot act and place to watch
|
|
|
occurs before the play
|
exposition
|
|
|
core of every play
|
action
|
|
|
how does willy commit suicide
|
crashing his car
|
|
|
the duke of Saxe meiningen
|
is known as the first modern director
|
|
|
the main questions an actor muct ask are
|
Objective - what do i do
Motivation - reasons why i do this Tactic - how do i do it, method |
|
|
Constantin Stanislavsky
|
creator of the "system"
|
|
|
Presentation acting
|
outside in acting
|
|
|
always important to willy
|
to be well liked
|
|
|
diegesis
|
actors pretending to be
|
|
|
mimesis
|
simulated representation
|
