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56 Cards in this Set
- Front
- Back
Absolutism |
15-16th satirical farce; French |
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Arlecchino/Harlequin |
Male/female; acrobatic, doesn't use logic to solve problems; servant that outwits masters |
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Bienseance |
"property" |
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Brighella |
cunning servant; has own interests in mind |
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Capitano |
Brags a lot but is really a coward |
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Chamberlain's Men |
acting troupe that Shakespeare wrote for |
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Columbina |
intelligent lady servant; rational thinker |
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Commedia dell'arte |
16-18th century; Italian improvised theatre; bawdy comedy |
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Compagnie de Saint-Sacrement |
Company of the Blessed Sacrament; secret society that was for theatre; encouraged by King Louis XIII |
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Pierre Corneille |
French Tragedian from the 17th century |
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Cycle Plays |
Groups of mystery plays that were played together for days |
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Dottore |
doctor; knowledgeable but an idiot |
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Feudalism |
social hierarchy of medieval times; serfs to kings |
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French Scene |
when one character enters or exits |
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Globe |
Shakespeare's theater |
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Gothic |
Medieval architectural style |
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Hell Mouth |
where demons and the Devil enter/exit a stage |
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Hrotsvit of Gandersheim |
Link between medieval and classical styles; liturgical playwright; female |
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Humours |
Balance in the body: Blood, phlegm, yellow bile, and black bile |
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Inamorata/o |
young lovers in commedia |
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Interlude |
dinner theater; 5 act structure; juggling and such |
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Intermezzi |
farce played between the acts of a darker opera or play |
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Jacobean Tragedy |
Revenge Play |
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Lazzo/lazzi |
stage business; a beat |
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Liturgical Drama |
plays written by the Church about the Bible; used to get teachings out to the illiterate |
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Louis XIV |
"The Sun King"; supported the arts and was highly egotistical |
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Mansion |
stationary setting- kind of 'mini'- audiences could walk around them, stand by, or leave them as actors acted out mystery plays |
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Miracle Plays |
Depicts the lives of the saints and their miracles |
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Morality Plays |
Struggle between right and wrong |
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Mystery Plays |
"Ministry"; follows the Old Testament and Christ's life |
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Moliere |
Social Satire playwright; morally uplifting and Greek structured; start of satire as we know it today |
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Neoclassicism |
revival of classical forms; art, literature, and drama |
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Noble Savage |
stock character that depicts humanity's innate goodness |
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Outdoor Public Theatre |
Literally what the card says |
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Pageant Wagon |
Cycle plays that are performed out of wagons; like a parade |
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Pantalone |
Old miser; generally the father of Inamorata |
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Platea |
neutral acting space in medieval theatre |
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Pulcinella |
"Punch"; mean and cunning but acts like an idiot to get what he wants |
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Quem Queritis |
Easter Trope |
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Jean-Baptiste Racine |
17th century dramatist; neoclassical |
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Raisonneur |
character that "speaks" for the author or the central themes of a plot |
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Ruffiana |
commedia; older female with a troubled past- prostitute- in love with Pantalone generally |
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Scapino |
commedia; smarter zanni; jack of all trades but is easily frightened; spacey |
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Stock Characters |
archetypal characters that can be used over and over with slight variations |
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Trope |
overused device or theme; cliche |
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The Unities |
Action, Time, and Place |
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Verisimiltude |
distinguishing between true and false; ex. plot of Tartuffe |
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Versailles |
where King Louis XIV lived |
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Wakefield |
"home" of the Corpus Christi feast mystery plays |
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Zanni |
stupid servants; generally from the city |
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emblematic staging |
props/costumes
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environmental staging |
available space |
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simultaneous staging |
mansions, wagons, platea spaces |
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Patronage system |
seeking a patron to invest in art projects |
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Chain of Being |
1. God, 2. Angels/ether, 3. Stars, 4. Elements, 5. Man, 6. Animals, 7. Plants, 8. Metals |
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Body Rulers |
Brain, Heart, and Liver |