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44 Cards in this Set
- Front
- Back
Manet was an importance influence on 20th century art; in his portrait of Emile Zora he freed painting & established that the canvas is |
flat color to represent flat painting surface |
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In still life with apples of 1879-82 Cezanne shows that he seeks |
an artistic rightness beyond actual appearance. The purpose of painting is to create or reveal the permanent order of nature. |
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In Gustav Klimt's portrait of Adele Bloch-Bauer from 1907, the figurative subject |
is not really Adele, the decorative elements are more the subject. |
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Torso of a young man shows Brancusi's absolute mastery of |
Materially perfect abstraction, high polish, mastery of omission. |
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Antoni Gaudi's Casa Milla materializes |
in the organic architecture, arcitecture as dynamic space and a building as a living organism growing out of it's natural environment. |
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Matisse's red room proves that color, line, and space are |
flat totally controlled by the painter he denys space and thinks of it as irrelevant |
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In London Bridge, Andre Derain controls teh clashing dissonances of color by using |
Contrasting colors clash between contrasting warm and cool colors to express the noice and activity |
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Kirchner's Street, Dresden produces it's expressionism through |
flat areas of unbroken, often unmixed color and simplified forms
direct picture of elemental energies Explored expressive possibilities of COLOR, FORM, and compostiion in creating images of contemporary life. Bold expression of INTENSITY, DISSONCE< and ANXIETY of the modern city. He wrote "The more I mixed with people the more I felt my lonliness"
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In memorial to Karl Liebknecht, Kathe Kollwits shows |
hardships suffered by the working class in drawings, paintings and prints
Printmaker & scultpure whose work offered eloquent and often searing account of the human condition and the tragedy of war
used graphic means of drawing, etching, lithography, and woodcut |
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In Violin & Pitcher by Georges Braque, the subjects are |
Deconstructed
break away from faceting purley to display subject matter and towards a style where facets flow of a logic of their own.
shows a comibing of ideas and the beginning of analytical cubism |
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Braque's painting Violin and Pitcher materialzes soemthing in front, behind, around, and within the objects, this is |
analytic cubism |
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In Picasso's Violin of 1915 we see |
Synthetic Cubism
Reconstruction of an object |
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Balla's Swifts: Paths of Movement and Dynamic Sequences includes |
optical mixing, allusion to mvmt, rapid and zigzaging, passage thru space, swifts, light sources as undulating yellow lines,
Dynamics of movement and speed Subject of painting is the flights of swifts; black wings whir before a window Creates an image of motion pushed close to abstraction The wings each represent a different position in a trajectory of motion, and the birds body is rendered as a diagrammic line. Here Balla looks to science to establish a new, modern language for painting
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Boccioni's Unique Forms of Continuity in Space reveals a form in whcih movement is |
Constant.
Dynamism, speed, machinery, and aerodynamics |
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In Uniqure Forms of Continuity in Space, Boccioni attempts to |
sculpt both the figure & it's immediate environment
the flame-like shapes that begin at the calves & show the air swirling away from the body in motion. |
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As an important influce on 20th century art, the English Romantic painter J.M.W. Turner's real interest were |
Architecture.
he likes landscape painting, nature, effects of light and color
natural and atmoshpheric elements |
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An influence on 20th century artist was Edvard Munch; he "opened the door" for atrist to |
express expressiveness
used color, line and figural distortion to evoke a strong emotional response from the viewer. |
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Gustav Klimt was strongly influenced by |
Japanese Art & it's methods
byzantine churches in ravenna--mosaics, japanese art and the PreRaphaelites |
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Wilhelm Lehmbruck in Standing Youth, often seems to be embodying meanings that are |
ambivalent - having mixed feelings or contradictory ideas about something or someone. |
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According to the Constantin Brancusi what is real is not the external form, but the |
essence of things...it is impossible for anyone to express anything essentially real by imitating it's exterior surface. |
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In the Caron-Pirie-Scott Store, Louis Sullivan uses |
Art Nouveau ironwork
grid pattern, skeletal structure, Chicago Window, emphasis on horizontals, entrance artificially articulated
Bronze & Terra used together makes it fire resistant |
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Vlamminck's The Blue House emphasizes |
short choppy brushstrokes, exportaiton of color, dry brush texture
spontaneous heightened sensations represented purely through color |
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Ernst Ludwig Kirchner was one of the founders of an important German Expressionist movement called |
Die Bruecke, Die neue Sezession "the new sucession"
(Die Bruker or "The Bridge" leading to expressionism) |
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Kathe Kollwitz used her art for purposes of |
protest
prints and scupltures to contront social injustive and suffering |
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Kandinsky's famous book about art was called |
Concerning the SPiritual Art |
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Kandinsky, along with Granz Marc, was the co-founder of |
Der Blaue Reiter |
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A strong influence on the painting of Wassily Kandinksy was |
Music
spirituality and the depth of human emotion through a universal visual language of abstract forms and colors that transcended cutltural and physical boundries.
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In Lipchit'z Standing Woman of 1918-19 the artist employs |
chunky, geometric froms, counterplay of protruding and receding planes, visual rythm...analytical cubism |
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Jacques Lipchitz is a sculptor of what stylistic movement |
cubism |
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According to the Futurist Manifesto of 1019, "movement and light destroy the..." |
materiality of bodies |
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The handout of the stylistic compoinents of Impressionism pointed out that it |
1. flickering touch, paint applied in small bright dabs, lack of clear outline |
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According to the handout on the characteristics of Post-Impressionism, it used color |
as a means for modelling form or conveying subject meaning |
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The handout on the stylistic components of Art Nouveau states that this element is parmount |
Line |
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According to the handout on the characterstics of Fauvism, artist of this movement expressed through color |
a complex if sensations caused by the subject not the appearance of the subject |
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According to the handout on Expressionism, artwork done in this style emphasizes |
subjectivity, anti-naturalism, emotional response to color line and shape |
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according to the handout on expressionism, the painter should |
employ personal symbolism, manifest the private miseries or feelings, exploit their personality |
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According to the handout on Analytic Cubism, this style |
-abandons one point perspective |
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according to the handout on synthetic cubism artwork done in this style |
constructed or built up flat planes |
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Futurism was... |
-shock and provoke public |
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according to your textbook Antoni Gaudi's masterpiece is the |
church of the Sagrada Familia |
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Hunter, Jacobus, and Wheeler state that Louis Sullivan's most important conceptual contribution to 20th century architecture was |
organic theory. Carson pirie scott store....formula upon proportion of the steel frame, est. shape of window...concept the building could be extended by whoever that wished. |
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According to our text book, the only member of the Fauvists who might justify the fauve epithet with his wild, turbulent behavior was |
Maurice de Vlaminck |
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According to Hunter, Jacobus, and Wheeler, a significant difference between Analytic and Synthetic Cubism was that Synthetic Cubism sought to recover |
? |
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According to your text, the Futurists wanted their paintings to express |
the dynamism of modern life, the physical sensations of life in the machine age |