Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
17 Cards in this Set
- Front
- Back
Articulation
|
The characteristics of attack and ecay of single tones or groups of tones and the means by which these characteristics are produced
|
|
Rubato
|
The practise of altering the relationship between written note values and making the established pulse flexible by accelerating and slowing down the temp
|
|
Ritenuto
|
Held back, slowed down. Usually a more sudden reduction in tempo than called for by ritardando and rallentando
|
|
Voice Exchange
|
the expansion of a functional area in which two voices exchange chord members...ie: 1 moves to 3 in the bass and 3 moves to 1 in the soprano. This skip is often filled in with a passing tone or a passing chord
|
|
overlapping voices
|
A voice-leading error in which one voice overlaps into the register of an adjacent voice on an adjacent beat
|
|
cross (false) relation
|
the succession of a pitch in one voice by a chromatic alteration of that pitch in another voice.
|
|
Diatonic
|
The collection of several pitch classes that, in some rotation, conform to the pattern of whole and half steps in the major scale. (2) made up of pitches belonging to a given diatonic collection.
|
|
Resolution
|
A progression from a dissonant tone or harmony to one that is consonant. In classical tonal harmony, every dissonant tone must be resolved, normally by stepwise motion.`
|
|
Figured Bass
|
A bass part to which arabic numbers have been added to indicate the accompanying harmonies. The strict realization in four parts of figured basses is a regular feature of instruction in harmony
|
|
Picardy Third
|
The raised of major third of the tonic triad as the final chord in a work otherwise in the minor mode.
|
|
Lead Sheet
|
In jazz popular music, a shorthand score or part. It may provide melody, chord symbols, accompanimental figures or lyrics.
|
|
Direct (hidden) intervals
|
similar motion into a perfect interval. Permitted only in the inner voices if the soprano moves by step.
|
|
Parallel intervals
|
The simultaneous statement of the same melodic interval in two otherwise independant parts of a polyphonic complex at the distance of a perfect 5th of 8ve. Motion like this is prohibited in classic tonal harmony and counterpoint.
|
|
Dissonance
|
The percieved instability of a complex of two or more sounds. Dissonsant intervals are those regarded as having an instability that requires resolution to a consonance.
|
|
consonance
|
The percieved stability of a complex of two or more sounds. In Western tonal music, consonant intervals are those that are treated as stable and do not require resolution
|
|
Similar Motion
|
Both parts move in the same direction but by different intervals
|
|
Parallel Motion
|
Motion in two parts simultaneously is parallel if the interval between them remains the same.
|