Survey Of Western Art And Architecture 2: Midterm Names Sep

Front 1

Mérode Altarpiece, ca. 1425-1428

Back 1

ROBERT CAMPIN

Hint 1

-three part panel, private use
- Iconography contains religious symbolism

Front 2

Well of Moses, Chartreuse de Champmol, Dijon, France, c.1400

Back 2

CLAUS SLUTER

Hint 2

-monumental sculpture recognised as the masterpiece of the Dutch artist Claus Sluter
-prophets who had foreseen the death of Christ on the Cross (Moses, David, Jeremiah, Zachariah, Daniel and Isaiah).
-in a style combining the elegance of International Gothic with a northern realism

Front 3

Ghent Altarpiece, Saint Bavo Cathedral, Ghent, Belgium, completed 1432.

Back 3

JAN VAN EYCK

Hint 3

-Central 3: Virgin Mary to the left, John the Baptist to the right, god or christ in center
-Adam and Eve, Musical angels
-Mystical Lamb

Front 4

Ghent Altarpiece, Saint Bavo Cathedral, Ghent, Belgium, completed 1432. BACK

Back 4

JAN VAN EYCK

Hint 4

- the Annunciation to Mary, with the Archangel Gabriel on the left and the Virgin Mary on the right.
-figures in the lunettes refer to prophecies of the coming of Christ

Front 5

Giovanni Arnolfini and His Bride, 1434.

Back 5

JAN VAN EYCK,

Hint 5

-portrait considered unique as it is record of a marriage contract in form of painting
-full of iconography

Front 6

Man in a Red Turban, 1433.

Back 6

JAN VAN EYCK

Hint 6

-possible self portrait
-sharp and detailed analysis of physical lines

Front 7

Deposition, from Notre-Dame hors-les-murs, Louvain, Belgium, ca. 1435.

Back 7

ROGIER VAN DER WEYDEN

Hint 7

-crucified Christ is lowered from the cross, his lifeless body held by Joseph of Arimathea and Nicodemus.
- work is unique in the period because of Mary's swoon
shape of the crossbow can be seen in the bent and torted outline and curve of Christ's body and arched back
-meant to evoke emotion

Front 8

Last Supper (central panel of the Altarpiece of the Holy Sacrament), Saint Peter's, Louvain, Belgium, 1464-1468.

Back 8

DIRK BOUTS

Hint 8

-successful single vanishing point
-commissioners in other room looking inward

Front 9

Très Riches Heures de Jean, Duc de Berry, made in France by Flemish artists, 1413 – 1415

Back 9

LIMBOURG BROTHERS

Hint 9

-illuminated Manuscript
-book of hours for John, Duke of Berry

Front 10

Melun Diptych, c. 1450

Back 10

JEAN FOUQUET

Hint 10

-a Madonna and Child
-left-hand panel depicts the donor, Etienne Chevalier, being presented by his patron saint, Saint Stephen.
-two panels are separated

Front 11

east doors ("Gates of Paradise"), baptistery, Florence Cathedral, Florence, Italy, 1425-1452.

Back 11

LORENZO GHIBERTI

Hint 11

-employed linear perspective
-Ghilberti won competition against Brunelleschi to commission doors
-had superior, cheaper, casting technique

Front 12

Brancacci Chapel, Santa Maria del Carmine, Florence, Italy, ca. 1427.

Back 12

MASACCIO

Hint 12

-psychological and physical credibility
-the Expulsion of Adam and Eve from Paradise was censored with fig leaves

Front 13

Holy Trinity, Santa Maria Novella, Florence, Italy, ca. 1428.

Back 13

MASACCIO

Hint 13

- tromp l'oeil effect
-example of mathematics to pictorial organization

Front 14

Last Supper, the Refectory, monastery of Sant'Apollonia, Florence, Italy, 1447.

Back 14

ANDREA DEL CASTAGNO

Hint 14

-Judas seperated
-biblical narrative and interest in perspective

Front 15

Battle of the Ten Nudes, ca. 1465.

Back 15

ANTONIO POLLAIUOLO

Hint 15

-engraving
-this print is a rare one of fifty-ish

Front 16

Santo Spirito, Florence, Italy, begun ca. 1436.

Back 16

FILIPPO BRUNELLESCHI

Hint 16

-made with mathematical scheme

Front 17

west facade of Santa Maria Novella, Florence, Italy, ca. 1458-1470.

Back 17

LEON BATTISTA ALBERTI

Hint 17

-Gothic design, contains holy trinity

Front 18

Primavera, c. 1482

Back 18

SANDRO BOTTICELLI,

Hint 18

-an elaborate mythological allegory of the burgeoning fertility of the world
-190 species of plant depicted

Front 19

David, late 1420s - late 1450s.

Back 19

DONATELLO

Hint 19

-famous as the first unsupported standing work of bronze cast during the Renaissance, and the first freestanding nude male sculpture made since antiquity.

Front 20

Adoration of the Magi, altarpiece from Santa Trinità, Florence, Italy, 1423.

Back 20

GENTILE DA FABRIANO

Hint 20

-portrays the path of the three Magi, in several scenes which start from the upper left corner (the voyage and the entrance into Bethlehem) and continue clockwise, to the larger meeting with the Virgin Mary and the newborn Jesus

Front 21

Birth of the Virgin, Cappella Maggiore, Santa Maria Novella, Florence, Italy, 1485-1490.

Back 21

DOMENICO GHIRLANDAIO

Hint 21

-humanization of religious theme
-life of the virgin

Front 22

Giovanna Tornabuoni (?), 1488.

Back 22

DOMENICO GHIRLANDAIO

Hint 22

-portrays Giovanna degli Albizzi, a Florentine noblewoman who had married to Lorenzo Tornabuoni.

Front 23

Pazzi Chapel, Santa Croce, Florence, Italy, begun ca. 1440.

Back 23

FILIPPO BRUNELLESCHI

Hint 23

-show of power by Pazzi family
-geometric forms
-no finished by Brunelleschi
-cathedral chapter house

Front 24

Palazzo Medici-Riccardi, Florence, Italy, begun 1445.

Back 24

MICHELOZZO DI BARTOLOMMEO

Hint 24

-commission of medici
-inspired from Brunelleschi work
-round-arched colonnade first of its kind

Front 25

Enthroned Madonna and Saints Adored by Federico da Montefeltro (Brera Altarpiece), ca. 1472-1474.

Back 25

PIERO DELLA FRANCESCA

Hint 25

-work represents sacred conversation, Virgin enthroned and sleeping Child in middle, saints and patrons surrounding, and patron of arts, duke and condottiero Federico da Montefeltro kneeling

Front 26

Sant'Andrea, Mantua, Italy, designed ca. 1470.

Back 26

LEON BATTISTA ALBERTI

Hint 26

-many elements derived from roman architecture
-believed that arches should not be used with freestanding columns as it blocked view of ceremony

Front 27

interior of the Camera degli Sposi, Palazzo Ducale, Mantua, Italy, 1474.

Back 27

ANDREA MANTEGNA

Hint 27

-first perspectival view of a ceiling from above

Front 28

Ceiling of the Sistine Chapel, Vatican City, Rome, Italy, built 1473.

Back 28

MICHELANGELO BUONARROTI

Hint 28

-painting it was made difficult by height and curve of vault

Front 29

Last Supper, ca. 1495-1498

Back 29

LEONARDO DA VINCI

Hint 29

-Christ is psychological focus and focal point

Front 30

Philosophy (School of Athens), Stanza della Segnatura, Vatican Palace, Rome, Italy, 1509-1511.

Back 30

RAPHAEL

Hint 30

-nearly every great Greek philosopher can be found within the painting
-grouped by field of study with Plato and Aristotle center

Front 31

Baldassare Castiglione, c. 1514

Back 31

RAPHAEL

Hint 31

-depicts Raphael's friend, the diplomat and humanist Baldassare Castiglione, who is considered a quintessential example of the High Renaissance gentleman.

Front 32

Back 32

RAPHAEL, Galatea, Sala di Galatea, Villa Farnesina, Rome, Italy, 1513.

Hint 32

-fresco is a mythological scene

Front 33

Back 33

MICHELANGELO BUONARROTI, David, 1501-1504.

Hint 33

-best sculpture of a hot piece of ass since the Romans
-he forgone the mathematical methods of beauty in proportion

Front 34

Back 34

MICHELANGELO BUONARROTI, Last Judgment, fresco on the altar wall of the Sistine Chapel, Vatican City, Rome, Italy, 1534-1541.

Hint 34

-not traditional way of depicting Christ, nor of placing him

Front 35

Back 35

DONATO D’ANGELO BRAMANTE, Tempietto, San Pietro in Montorio, Rome, c. 1502

Hint 35

- was built on site of earlier 9th-century church dedicated to Saint Peter on Rome's Janiculum hill
-According to tradition, was the site of his crucifixion.

Front 36

Back 36

DONATO D'ANGELO BRAMANTE, plan for the new Saint Peter's, the Vatican, Rome, Italy, 1505.

Hint 36

-commissioned by Pope Julius II to make new, grander St. Peters
-but was not finished by Donato

Front 37

Back 37

MICHELANGELO BUONARROTI, plan for Saint Peter's, Vatican City, Rome, Italy, 1546.

Hint 37

-Michelangelo took over project
-made design more cohesive and unified

Front 38

Back 38

MICHELANGELO BUONARROTI, Saint Peter's (view from the northwest), Vatican City, Rome, Italy, 1546-1564. Dome completed by GIACOMO DELLA PORTA, 1590.

Hint 38

-dome was not in Michelangelo's original design
-more oval for ease of construction and greater stability

Front 39

Back 39

ANTONIO DA SANGALLO THE YOUNGER, Palazzo Farnese, Rome, Italy, ca. 1530-1546. Third story and attic of inner courtyard by MICHELANGELO BUONARROTI, 1548

Hint 39

-fully expresses clssical order, reguarity, simplicity, and dignity of the High Renaissance style in architecture
-constructed to be a avish private palace for Pope Paul III

Front 40

Back 40

JACOPO DA PONTORMO, Descent from the Cross, Capponi Chapel, Santa Felicità, Florence, Italy, 1525-1528.

Hint 40

x

Front 41

Back 41

PARMIGIANINO, Madonna with the Long Neck, ca. 1535.

Hint 41

x

Front 42

Back 42

BRONZINO, Venus, Cupid, Folly, and Time (The Exposure of Luxury), ca. 1546.

Hint 42

x

Front 43

Back 43

BRONZINO, Portrait of a Young Man, ca. 1530s.

Hint 43

x

Front 44

Back 44

TINTORETTO, Last Supper, Chancel, San Giorgio Maggiore, Venice, Italy, 1594.

Hint 44

x

Front 45

Back 45

GIOVANNI DA BOLOGNA, Abduction of the Sabine Women, Loggia dei Lanzi, Piazza della Signoria, Florence, Italy, completed 1583.

Hint 45

x

Front 46

Back 46

MICHELANGELO BUONARROTI, Laurentian Library, Florence, 1524-34; staircase 1558-59.

Hint 46

x

Front 47

Back 47

ANDREA PALLADIO, Villa Rotonda (formerly Villa Capra), near Vicenza, Italy, ca. 1566-1570.

Hint 47

x

Front 48

Back 48

ANDREA PALLADIO, San Giorgio Maggiore, Venice, Italy, begun 1565.

Hint 48

x

Front 49

Back 49

GIOVANNI BELLINI, San Zaccaria Altarpiece, San Zaccaria, Venice, Italy, 1505.

Hint 49

x

Front 50

Back 50

GIOVANNI BELLINI and TITIAN, The Feast of the Gods, 1529.

Hint 50

x

Front 51

Back 51

TITIAN, Madonna of the Pesaro Family, Santa Maria dei Frari, Venice, Italy, 1519-1526.

Hint 51

x

Front 52

Back 52

TITIAN, Meeting of Bacchus and Ariadne, 1522-1523.

Hint 52

x

Front 53

Back 53

TITIAN, Venus of Urbino, 1538.

Hint 53

x

Front 54

Back 54

HIERONYMUS BOSCH, Garden of Earthly Delights, 1505-1510

Hint 54

x

Front 55

Back 55

MATTHIAS GRÜNEWALD, Isenheim Altarpiece, center shrine carved by NIKOLAUS HAGENAUER in 1490, from the chapel of the Hospital of Saint Anthony, Isenheim, Germany, ca. 1510-1515.

Hint 55

x

Front 56

Back 56

ALBRECHT DÜRER, Four Apostles, 1526

Hint 56

x

Front 57

Back 57

LUCAS CRANACH THE ELDER, Allegory of Law and Grace, ca. 1530.

Hint 57

x