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56 Cards in this Set
- Front
- Back
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NATURALISM (ca. 1840-1885)
Edouard Manet, Luncheon on the Grass |
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NATURALISM
Edouard Manet *Olympia |
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NATURALISM
Edouard Manet The Railroad |
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NATURALISM
Edouard Manet *A Bar at the Folies Bérgère |
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IMPRESSIONISM (ca. 1870-1886)
Claude Monet, *Boulevard des Capucines, Paris |
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IMPRESSIONISM
Claude Monet Gare St.-Lazare, Paris |
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IMPRESSIONISM
Claude Monet Wheatstack, Sun in the Mist |
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IMPRESSIONISM
*Auguste Renoir, The Loge |
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IMPRESSIONISM
Camille Pissarro, Hoarfrost: The Old Road to Ennery |
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IMPRESSIONISM
Edgar Degas, Orchestra of the Paris Opera |
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IMPRESSIONISM
Edgar Degas *The Rehearsal |
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IMPRESSIONISM
Berthe Morisot, Hide and Seek |
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IMPRESSIONISM
Mary Cassatt, The Blue Room |
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IMPRESSIONISM
Mary Cassatt, Woman in Black at the Opera |
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IMPRESSIONISM
Gustave Caillebotte, Paris Street: Rainy Day |
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THE MACCHIAIOLI
(ca. 1860 to 1870s) Silvestro Lega, The Pergola |
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THE MACCHIAIOLI
Giovanni Fattori, Oxen and Cart |
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THE MACCHIAIOLI
Telemaco Signorini, Cattle at Castiglioncello |
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PHOTOGRAPHY
Carleton Watkins, Yosemite Valley from the Best General View] |
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PHOTOGRAPHY
Timothy O’Sullivan, A Harvest of Death, Gettysburg, Pennsylvania |
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PHOTOGRAPHY
Oscar Rejlander, Two Ways of Life |
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PHOTOGRAPHY
Julia Margaret Cameron, Divine Love |
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PHOTOGRAPHY
Gertrude Käsebier, Blessed Art Thou Among Women |
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PHOTOGRAPHY
*Alfred Stieglitz, The Terminal |
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AESTHETICISM
*James Abott McNeill Whistler, Symphony in White No. II |
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AESTHETICISM
*James Abott McNeill Whistler, Symphony in White No. II |
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AESTHETICISM
James Abott McNeill Whistler Nocturne in Black & Gold (The Falling Rocket) |
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POST-IMPRESSIONISM (ca. 1880-1904)
Georges Seurat, *Sunday Afternoon on the Island of the Grande Jatte Le Chahut |
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POST-IMPRESSIONISM
Paul Cézanne, *Mont Saint-Victoire |
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POST-IMPRESSIONISM
Paul Cézanne The Large Bathers |
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POST-IMPRESSIONISM
Vincent van Gogh, *Night Café at Arles |
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POST-IMPRESSIONISM
Vincent van Gogh The Sower |
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POST-IMPRESSIONISM
Paul Gauguin, Ia Orana Maria |
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POST-IMPRESSIONISM
Paul Gauguin, Where Do We Come From? What Are We? Where Are Going? |
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POST-IMPRESSIONISM
Henri Toulouse-Lautrec, La Goulue |
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POST-IMPRESSIONISM
Henri Toulouse-Lautrec At the Moulin Rouge |
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SYMBOLISM (ca. 1865-1890s)
Gustave Moreau, Orpheus |
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SYMBOLISM
Puvis de Chavannes, The Poor Fisherman |
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SYMBOLISM
*James Ensor, Christ’s Entry into Brussels |
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SYMBOLISM
Max Klinger, The Abduction (from A Glove) |
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SYMBOLISM
Fernand Khnopff, I Lock My Door Upon Myself |
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SYMBOLISM
Edvard Munch, *The Voice |
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SYMBOLISM
Edvard Munch Madonna |
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THE NABIS (ca. 1889 to 1900)
Édouard Vuillard, The Workroom |
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THE NABIS
Pierre Bonnard, Four Panels for a Screen |
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EXPRESSIONISM (ca. 1888-1914)
Auguste Rodin, *The Gates of Hell |
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EXPRESSIONISM
Auguste Rodin The Burghers of Calais |
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MODERNISM IN ARCHITECTURE (ca. 1850-1890)
Joseph Paxton, The Crystal Palace, London, 1850 |
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MODERNISM IN ARCHITECTURE
Charles Garnier, Nouvelle Opera, Paris—Beaux-Arts tradition |
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ARTS & CRAFTS STYLE (ca. 1859-1880s)
William Morris & Phillip Webb, Red House, London |
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ARTS & CRAFTS STYLE
Edward Burne-Jones, Laus Veneris |
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ARTS & CRAFTS STYLE
Charles Rennie Mackintosh, Glasgow School of Art, Scotland |
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ARTS & CRAFTS STYLE
Greene & Greene, Gamble House, Pasadena |
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ART NOUVEAU (ca. 1890s-1910)
Victor Horta, Hotel Tassel Staircase |
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ART NOUVEAU
*Antonio Gaudi, Guell Palace, Barcelona, Spain |
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ART NOUVEAU
Gustav Klimt, Judith and Halofernes |
