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13 Cards in this Set
- Front
- Back
- 3rd side (hint)
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Columba Aspexit
"Feather on the Breath of God" Hildegard von Bingen |
Language: Latin
Texture: Monophonic Proper mass. Section: Sequence Form: AABBCCDD Typical form: ABBCC...XXY This structure was all but eliminated at the Council of Trent. Today 4 structures remain. |
Language
Texture Proper or Ordinary? Section? Form? Typical form of sequence? This structure was all but eliminated at ____. Only ___ of these structures remain. |
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Yeibichai song
"Call of the Yei" Navajo song |
Texture: Monophonic
Origin: Navajo Text: Pathogenic (as opposed to logogenic [translatable text]) Does however, include the traditional "Call of the Yei" Found in nightly ceremony, used as a HEALING ceremony. Usually lasts 10 days. Rhythmic instruments accompany. |
Texture?
Origin? Text (pathogenic or logogenic)? Includes traditional___. Found in (daily or nightly?) ceremony. Used as a _____ ceremony. Usually lasts ___ days. |
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Shizhane'e'
Navajo Sway Song |
Texture: Monophonic
Language of Origin: Navajo Text: Logogenic (translatable text) Found in the Enemy way ceremony traditional sway song Found at night. Only time men and women were allowed to interface. |
Texture?
Language of Origin? Text (Pathogenic or logogenic?) Found in _____ ceremony. Traditional ______ song. Found at (day or night?). Only time _____________. |
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Agbekor
Ewe Song |
Monophonic
Used by the Ewe people of Ghana and Togo. Originally used to prepare for war. Called atamuga (the great oath) originally. Now a funeral ceremony. Characterized by drumming, dancing, call and response |
Texture?
Used by ___ people of ___ and ____. Originally used to ____. Now a ___ ceremony. Characterized by ____, ___, and ____ and _____. |
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"Kembang Pacar"
Bubaran Pelog pathet nem |
Gamelan music. Describe it by title.
Bubaran is the 16-beat metric system. Kembang Pecar is the tune. Pelog (vs. slendro or both) is the scale. Tuning system employed on that set of instruments. Pathet nem is the modal category. Particular mode (modern major, dorian, phrygian, mixolydian, lydian etc.). Tonal centerlands. Affects the intervals. Primarily used for shadow puppetry. Most important application in sacred music is shadow puppetry. |
Tune?
___-beat metric system? Scale? Modal category? Primarily used for _____. |
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Devi Niye Tunai
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Monophonic
Layers: - Drone - Drum - Melody Called a "bhajan"- type of sacred song. Typical form: palavi (introduction-sprouting), anapalavi (chorus-after-sprouting), charanal (verse-foot) Country of origin: India Melodic Mode: raga Rhythmic mode: tala |
Texture?
Layers? Called _____- type of sacred song. Typical form: ___, ____, ____ Country of origin: Melodic mode: Rhythmic mode: |
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"Dominus Dixit"
Introit for Christmas Eve |
Language: Latin.
Period: Medieval. Texture: Monophonic PROPER mass. Section: Introit (Comes from "I go up to the altar of God") Structure (standard form for an introit): Antiphon (A)- Psalm Tone (B)- Doxology (B')- Antiphon (A) |
Language?
Period? Texture? Proper or ordinary? Section? Structure? |
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Viderunt Omnes
Perotin |
Language: Latin
Texture: Polyphonic AND monophonic Period: Medieval Style: Organum Contains clausulae (interchangable polyphonic events [chant with 'hec' that you can pull out and change without affecting anything]) |
Language?
Texture? Period? Style? Contains ______. |
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Kyrie from Missa "Dum complerentur"
Victoria |
Language: Greek (only part of ordinary not in Latin- also oldest part)
Period: Renaissance Texture: Polyphonic ORDINARY mass. Movement is excerpted from paraphrase mass from Motet "Dum Complerentur". Three other types of mass and source material: - Motto (recurring head motive) -Cantus Firmus (recurring cantus firmus- pre-existing chant melody) -Missa Choralus (cantus firmus uses corresponding chants for chant mass) |
Language?
Period? Texture? Proper or ordinary? Type of mass? Three other types of mass and source material? M___ CF___ MC____ |
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"Miserere"
Allegri |
Antiphonal Psalm (Hear a solo line sing a verse then a large chorus sing a verse [more complex musical structure]). Back and forth between chorus and solo line. When chorus comes back, it's a new text every time.
Basically, two different versions. -A-melody-B-melody-A-melody - Still a cappella. Structure is basically homophonic. You can hear things moving around, but there's an identifiable melody. Story: Played every year. Only place you could hear it was in the Sistine Chapel during Holy Week. Mozart goes in, hears it, writes it down from memory. Forms model for verse anthem (Thomas Tallis) Homophonic and monophonic Psalm 50 |
Forms model for _____. (associated with _____).
Texture? Based off of _____. |
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"If Ye Love Me"
Thomas Tallis |
English
Text from John 14:15-16 Form: Anthem (Anglican version of the Catholic motet) Differences: English and more conservative vs. and Latin and more mellismatic Texture: Opening line is homophonic. The rest is imitative polyphany. |
Language?
Text from ____. Form:____ (___version of Catholic _____). Texture? |
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"Super Flumina Babylonis"
Motet by Giovanni Pierluigi da Palestrina |
Texture: Polyphonic
Form: Overlapping phrases, each with its own melodic content, usually with text-painting and imitative polyphony (means phrase A, then phrase A is imitated. Phrase B, then phrase B is imitated) |
Texture?
Form? Usually has ____-painting and i___ p____. |
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"Tota Pulchra es, Maria"
Franco-Flemish Motet by Heinrich Isaac |
Language: Latin
Texture: Polyphonic Type of music: Motet Example of Franco-Flemish polyphany. <3 |
Language?
Texture? Type of Music? Example of _____ |
