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8 Cards in this Set
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- Back
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Distribution
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The means through which movies are delivered to theaters, video stores, television and Internet networks, and other venues that make them available to consumers, or to educational and cultural institutions. The entity that performs this function is a distributor.
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Cinephilia
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A love of cinema.
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Italian Neorealism
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A film movement that began in Italy during World War II and lasted until approximately 1952 depicting everyday social realities using location shooting and amateur actors, in opposition to glossy studio formulas.
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Social Realism
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an artistic movement, expressed in the visual and other realist arts, which depicts social and racial injustice, economic hardship, through unvarnished pictures of life's struggles; often depicting working class activities as heroic.[1] The movement is a style of painting in which the scenes depicted typically convey a message of social or political protest edged with satire.[2] This is not to be confused with Socialist Realism, the official USSR art form that was institutionalized by Joseph Stalin in 1934 and later allied Communist parties worldwide.[3]
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Realism
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An artwork’s truthful picture of a society, person, or some other dimension of everyday life; an artistic movement that aims to achieve verisimiltude.
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Realism theory
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is the belief that many or most cognitive biases are not "errors", but instead logical and practical reasoning methods of dealing with the "real world".
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Look up perceptual realism
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Look up perceptual realism
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Psychological realism
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a general movement in 19th-century theatre that developed a set of dramatic and theatrical conventions with the aim of bringing a greater fidelity of real life to texts and performances.
Russia's first professional playwright, Aleksey Pisemsky (whose A Bitter Fate (1859) anticipated Naturalism), and Leo Tolstoy (whose The Power of Darkness (1886) is "one of the most effective of naturalistic plays"), a tradition of psychological realism in Russia culminated with the establishment of the Moscow Art Theatre by Constantin Stanislavski and Vladimir Nemirovich-Danchenko.[1] Their ground-breaking productions of the plays of Anton Chekhov in turn influenced Maxim Gorky and Mikhail Bulgakov. Stanislavski went on to develop his 'system', a form of actor training that is particularly suited to psychological realism. |
