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12 Cards in this Set

  • Front
  • Back
Sound track
Audio recorded to synchronize with a moving image, including dialogue, music and sound effects, as well as the physical portion of the film used for recording sound
Sound bridge
The term for sound carried over a picture transition, or a sound belonging to the coming scene playing before the image changes
Overlapping dialogue
Mixing two or more characters’ speech to imitate the rhythm of speech; the term may also refer to dialogue that overlaps two scenes to effect a transition between them
Rhythmic editing
The organization of editing according to different paces or tempos determined by how quickly cuts are made
Diagetic sound
sound that has its source in the narrative world of the film, whose characters are presumed to be able to hear it
Mickey mousing
overillustrating the action through the musical score, drawn from the conventions of composing for cartoons. An example of mickey mousing is accompanying a character walking on tiptoe with music played by plucked strings
Voiceover
A voice whose source is neither visible in the frame nor implied to be offscreen; it typically narrates the film’s images, such as a flashback or the commentary in a documentary fill
Foley artist
A member of the sound crew who generates live synchronized sound effects such as footsteps, the rustle of clothing, or a key turning in a lock, which watching the projected film. Named after their inventor, Jack Foley, foley tracks are eventually mixed with other audio tracks
Musical motif
a short musical idea,[1] a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition.
Ask about internal and external diagetic sound
Ask about internal and external diagetic sound
Simultaneous sound
Placed sound that is presented as occurring at the same time in the story as it accompanies the image.
Sound bridge
bridging cuts/scenes with sound/music