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8 Cards in this Set
- Front
- Back
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Alleluia: A Newë work
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Carol
First half of 1400's Burden (Refrain) Free 2 part counterpoint Latin and English Faburden (Chant melody in Middle verse) |
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Quam Pulchra es
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John Dunstable
Motet/Cantilena First half 1400's Added Ornamentations/Rhythmic Structures to chant Male and Female lover Homophonic/Short melismas Highlights phrases with music |
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De plus en plus
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Binchois
1425 Rondeau- ABaAabAB Music fits shape of poem (Couplets) Fine Amour - Courtly Love Influenced by English music |
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Missa prolationum - Kyrie
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Jean de Ockeghem
Mass 2nd half 1400's Double Mensuration Canons Tenor and Superius Move faster French style: Syncopations/Fluidity Formed Triads |
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Nun komm
der Heiden Heland Ein feste Burg |
Martin Luther
Chorales - Congregational hymns in vernacular 1524 and 1529 Converted Veni Redemptor Gentium to melody 3. Based on Psalm 46 AAB God's power to protect believers Text painting |
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Poper Marcellus Mass:
Credo/Agnus Dei |
Palestrina
Mass 1560 Keep Council of Trent take away Polyphony Credo: Importance/Length of text Uses imagery in music for text 3 voices for 3 in 1 Use all voices for important text Gloria: Imitation/development motives Agnus Dei: Important text imitated Use of Counterpoint rules Skips resolve |
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O magnum mysterium
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Tomas Luid de Victoria
Motet 1570 Christmas Season Does not follow counterpoint Text Painting/Depiction: all voices on important text |
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National Styles of Music
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Spain - Villanzic
Italy - Frottola France - Chanson England - English Lute Song |
