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34 Cards in this Set
- Front
- Back
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What is the key? |
D major |
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The tonality of the second movement? |
Starts in B minor only on strings (because the trumpet can't play A# which is required for B minor) and then moves chromatically to D major |
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What are the notes the trumpet plays? |
The trumpet only plays 8 notes throughout the whole piece: d, a, D, E, F, G, A, B |
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What is the solo instrument? |
The trumpet, which is in D. It has no valves so different pitches are made using the lips. |
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How many movements are there? |
Three- fast, slow, fast. |
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How does the trumpet move melodically in the piece? |
The trumpet moves conjunctly (step wise) around the top six notes (the first 6 in the D major scale). It also moves in a fanfare-like figure around the D major arpeggio. |
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When was the Baroque period? |
1600-1750 |
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What was the continuo part played by? |
Probably a bass viol and and organ or harpsichord. |
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How many ideas are there in the first movement? |
3 ideas |
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Where is the 1st idea in the first movement? |
Bar 1 to bar 11 beat 1. It is played by the trumpet and violin -a three bar phrase in trumpet followed by a three bar reply in violin. |
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Where is the 2nd idea in the first movement? |
Bar 11 beat 2 to bar 19 beat 1. Played in trumpet and violin. At the end it explores the dominant minor for two bars -A minor. |
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Where is the 3rd idea in the first movement? |
Bar 19 beat 2 to end. Played in trumpet and violin. In this section the 1st violin and continuo work in intervals of tenths. We also see a scurrying semiquaver figure, and the parts play in unison for the last four bars. |
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What does tierce de picardie mean? |
Moving from the minor to the major. |
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How does Purcell move to different keys? |
He only moves to closely related keys using pivot chords. The only exception is the modal change to A minor in the second idea (bar 17). |
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Define Antiphony? |
A call and response-like altercation between two parts -they don't overlap. Popular in 16th and 17th century music. |
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Define imitation? |
When one part imitates another after they have played their part -it overlaps. |
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Sonata form? |
Exposition (main themes), Development (themes explored and dramatised) and recapitulation (brings back and resolves original themes by bringing them back to the tonic key) |
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Perfect cadence? |
V - I |
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Homorhythmic? |
The same rhythm in all parts. |
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Fragmentation? |
A fragment of the melody that returns. |
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Suspension? |
A chord that contains another note not from the triad. |
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Harmonies? |
Most of the harmonic writing is consonant, mainly using tonic and dominant harmonies that give the piece a bright, ceremonial quality. |
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What is the texture in the second movement? |
Mainly homophonic and homorhythmic. There is no trumpet throughout. |
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How does Purcell use chords? |
He uses augmented chords, as well as unusual chords and chord progressions, and 7th chords. |
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What is the mood of the final movement? |
Celebratory. |
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How do the other instruments (not trumpet/1st violin) play in the third movement? |
When not playing the theme, they play a accompaniment. |
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Where is the first idea in the third movement? |
From bar 50 to bar 65. |
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Where is the second idea in the third movement? |
From bar 65 to bar 75. |
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Where is the third idea in the third movement? |
Bar 75 to bar 82. |
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What happens after the third idea ends in the third movement? |
The 1st idea comes back in inversion. |
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What happens at bar 95? |
There is a redundant entry of B minor. |
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Where is the fourth idea in the third movement? |
It starts at bar 109 and ends at bar 112. |
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Describe the form of the third movement? |
It is similiar to rondo form. |
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How does the third movement end? |
On a D major tonic chord. |
