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35 Cards in this Set
- Front
- Back
- 3rd side (hint)
Alliteration |
Repeated consonant sounds at the beginning of words placed near each other |
Sally sells seashells south of the sea. |
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Assonance |
Repeated vowel sounds in words placed near each other, usually on the same or adjacent lines; should be in sounds that are accented or stressed. |
Adam ate apples; Anson ate avocados; But all the while, Audrey acquired artichokes. |
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Consonance |
Repeated consonant sounds at the ending of words placed near each other. |
The superb suburb has a club. |
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Cacophony |
Series of harsh, unpleasant sounds that help convey disorder; often combined with the effect of the meaning and difficulty of pronounciation |
https://www.youtube.com/watch?v=YpjJNavdrmc |
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Euphony |
A series of musically pleasant sounds, conveying a sense of harmony and beauty to the language. |
"...To bend with apples the moss’d cottage-trees, |
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Repetition |
Purposeful reuse of words and phrases for an effect |
"...A horse is a horse, of course, of course, |
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Rhythm |
Organization of speech into a regular pattern of accented syllables separated by unaccented syllables; meter |
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Ambiguity |
Word or phrase that can mean more than one thing, even it its context |
Shock: to jolt (as in with electricity) or to amaze (as in a daring performance)? |
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Apostrophe |
Speaking directly to a real or imagined listener or inanimate object |
“Twinkle, twinkle, little star,
Every time you say that, you're speaking TO A STAR. |
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Connotation |
Feelings implied along with the dictionary definition of a word |
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Denotation |
The dictionary definition of a word. |
Do I even have to?
Free Verse: Poetry that does not rhyme or have a regular meter. |
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Euphemism |
An understatement used to lessen the effect of a statement; substitution for something that might be offensive or hurtful. |
"So, did you do the Mattress dance yesterday?" "Sorry?" "You know... do the nasty?" "Huh?" "Come on... did you ride the skin bus into tuna town...?" "Ohhhhhhhhhh... gotcha. And no." |
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Oxymoron |
A combination of two words that appear to contradict each other. |
"GET YOUR GENUINE FAKE WATCHES HERE!" |
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Paradox |
A statement in which a seeming contradiction may reveal an unexpected truth |
Fahrenheit 451: Firemen create fire instead of putting them out.
"That's rich!" |
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Line |
Important visual distinction from prose; arranged into a series of units that do not necessarily correspond to sentences |
You find it funny to assign |
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Verse |
One single line of a poem arranged in a metrical pattern |
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Stanza |
A division of a poem created by arranging the lines into a unit |
I live in a doorway |
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Stanza Forms |
Names given to describe the number of lines in a divisional unit |
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Enjambment |
The continuation of logical sense - and therefore the grammatical construction - beyond the end of a line in poetry; sometimes done with a title |
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Form |
Arrangement or method used to convey content, such as free verse, ballad, etc. |
The way that "Sonrisas" is organized is a type of form. |
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Blank Verse |
Unrhymed iambic pentameter |
"Something there is that doesn’t love a wall.
Something there is that doesn’t love a wall.
There is no proper rhyme scheme to this at all. |
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Free Verse |
Lines with no prescribed pattern or structure |
"The fog comes on little cat feet.
It sits looking over harbor and city on silent haunches and then moves on."
Do you see a pattern? If you do, you're not thinking straight. |
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Fixed Form |
A poem which follows a set pattern of meter, rhyme scheme, stanza form, etc. |
"Whitecaps on the bay: A broken signboard banging In the April wind."
Haikus are fixed form. |
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Ballad |
More complex than the lyric; intricate rhyme schemes; marked by a rich, intense, expression of an elevated thought praising a person or object |
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Epitaph |
A brief poem or statement in memory of someone who is deceased, used as or suitable for a tombstone inscription |
"Here lies Good Old Fred; A great big rock fell on his head." |
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Lyric |
Originally designed to be sung; speaker's ardent expression of an emotional element; most frequently used modern form |
"Lord, does she even have a clue One wink and I was through That first kiss was like glue Her gravitational pull Turned my empty into full Teach me baby, I'm loving school ..Can't get enough!" |
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Ode |
A narrative poem written as a series of quatrains |
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Sonnet |
Fourteen line poem in iambic pentameter with a prescribed rhyme scheme |
•Shall I compare thee to a summer's day? •Thou art more lovely and more temperate: •Rough winds do shake the darling buds of May, •And summer's lease hath all too short a date: •Sometime too hot the eye of heaven shines, •And often is his gold complexion dimmed, •And every fair from fair sometime declines, •By chance, or nature's changing course untrimmed: •But thy eternal summer shall not fade, •Nor lose possession of that fair thou ow'st, •Nor shall death brag thou wander'st in his shade, •When in eternal lines to time thou grow'st, •So long as men can breathe, or eyes can see, •So long lives this, and this gives life to thee. |
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Shakespearean Sonnet |
Rhyme scheme of abab cdcd efef gg; created by a famous playwright |
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Sonnet Sequence |
Series of sonnets in which there is a discernable unifying theme |
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Villanelle |
A 19-line poem made up of five three-line stanzas followed by a final four-line stanza (quatrain) There are only 2 rhymes per each stanza. |
"Do not go gentle into that good night,
Though wise men at their end know dark is right,
What characteristics can you detect from the above lines? |
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Imagery |
The use of vivid language to generate idea and/or evoke mental images |
"A host, of golden daffodils; Beside the lake, beneath the trees, Fluttering and dancing in the breeze. Continuous as the stars that shine And twinkle on the Milky Way"
The poet paints a wonderful picture of daffodils such that you can almost picture them in the breeze. |
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Synesthesia |
An attempt to fuse different senses by describing one kind of sense impression in words |
"It tastes funny." "You look cool." "I can hear the bitterness in your voice." "Hey, girl, you look hot." "Rough day, huh?" "Aww...You're sweet." |
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Tone |
The author's feelings toward their subject |
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Mood |
The atmosphere created for the audience |
Ever heard of setting the mood? It's not just romantic.
"The river, reflecting the clear blue of the sky, glistened and sparkled as it flowed noiselessly on." (Imagery plays a part in this, too.) |