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47 Cards in this Set
- Front
- Back
What is the difference between adjacent densities called |
Contrast |
|
Along with density this allows us to see subject detail |
Contrast |
|
Once exposure is done contrast is finite film or digital |
Film |
|
Many shades of gray available, applies to soft copy (monitor display), great range of density/brightness, windowing ( manipulation of brightness/density and therefore contrast), LUTs and there effect on contrast Film or digital |
Digital |
|
The difference between adjacent densities |
Contrast |
|
Any change in density (mAs, brightness) will have some effect on |
Contrast |
|
Low contrast, many shades of gray, long scale, large window or dynamic range, seen more with ___ kVp |
High |
|
High contrast, black to white, short scale, narrow window, seen more with __ kVp |
Low |
|
Subtle shades of gray reveal |
More |
|
Contrast within a department will be determined by |
Radiologist, equipment calibration |
|
Digital response to exposure is __ and highly sensitive to exposure |
Linear |
|
Processor fog __ contrast |
Decreases |
|
Overdevelopment __ contrast |
Decreases |
|
Developer contamination by fixer will __ fog |
Increase |
|
Compton scatter __ with higher kVp |
Increases |
|
Fog goes up, contrast goes |
Down |
|
As kVp goes __, wider range of photon energies, more photons will penetrate, greater range of exposure, more uniform penetration, reduced contrast |
Up |
|
As kVp goes __, less range of exposure, greater attenuation with thicker parts and higher atomic numbers, |
Down |
|
Subject contrast is dependent on kVp selected and type/amount of irradiated tissue this is called |
Differential absorption |
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Uniform thickness, subject contrast goes __ |
Down |
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Variety of thickness subject contrast goes |
Up |
|
Uniform tissue density subject contrast goes |
Down |
|
Variety of tissue density subject contrast goes |
Up |
|
Need a variety of __ __ in adjacent tissue to see contrast |
Atomic numbers |
|
What must you have to see optimal contrast in an image |
Proper range of densities for that part |
|
How do you enhance visibility when trying to read film |
Environment, turn off lights, turn off unused view boxes, focus on ROI, use contrast mask |
|
What technique controls contrast |
kVp |
|
KVp up contrast goes |
Down |
|
When choosing kVp you need to look at |
Anatomy, pathology, contrast scale desired by rads |
|
Optimal kV for each part will also be affected by |
Subject an imaging parameters |
|
What affects both quantity and quality |
kV |
|
Increasing this means more Compton and less photoelectric |
kV |
|
mAs on film visibly affects |
Density |
|
mAs on digital affects |
IR exposure and exposure number |
|
Focal spot size does not affect |
Contrast |
|
Anode heel effect means radiation intensity is more intense at the |
Cathode end |
|
Air gap reduces __ so contrast __ |
Scatter, increases |
|
An increase in filtration will increase average beam energy so contrast |
Decreases |
|
Increase beam restriction (collimating) will decrease # of photons, so scatter __ and contrast __ |
Decreases, increases |
|
As field size goes __, contrast goes __ and scatter __ |
Up, down, up |
|
As tissue density goes __, contrast goes __, scatter goes __ |
Up, down, up |
|
As atomic # goes __, contrast goes ___ |
Up, up because of photoelectric effect |
|
Cleans up and absorbs scatter, contrast increases, higher ratio, greater contrast |
Grids |
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Increases contrast over direct exposure film radiography, don't know why |
Intensifying screens |
|
Histograms alter |
Density |
|
LUTs alter |
Contrast |
|
Windowing alters |
Both |