Photography

Front 1

Shutter speed control s the amount of time that light reaches the light sensitive surface of your camera

Back 1

True

Front 2

A shutter speed of 1/15 allows twice as much light to reach the camera sensor that 1/30

Back 2

True

Front 3

A shutter speed of 1/1000 will freeze the action of a moving shot mare that 1 sec will

Back 3

True

Front 4

The s or TV mode is a semiautomatic setting which allows you to control the shutter speed while the camera automatically adjusts to apeture to obtain a correct exposure

Back 4

True

Front 5

To prevent blur your shutter speed should be at least twice as fast as your focal length. For example if your lens is at 200mm then you should shoot at 1/400 or faster

Back 5

True

Front 6

What does apeture control

Back 6

The brightness of the light that reaches the sensor or film/ depth of field

Front 7

Apeture size is indicated by

Back 7

Fstop or f number

Front 8

In photography "blank" are also a unit used to quantify ratios of light exposure with one "blank" meaning a factor of two or one half

Back 8

Stops

Front 9

What is depth of field

Back 9

What is sharpest in the picture from near to far

Front 10

F/16 allows more depth of field than f/4

Back 10

True

Front 11

F11 allow s teice as much light as f8

Back 11

False

Front 12

A 4 sec shutter speed at f5.6 is an equivalent exposure as a 2sec shutter speed at f4

Back 12

True

Front 13

Iso 100 shows more grain than iso 800

Back 13

False

Front 14

A lens set at f 2.8 admits twice as much light as f4

Back 14

True

Front 15

Shooting 5' from subject provides a greater depth of field than from 20' away

Back 15

False

Front 16

Focal length controls

Back 16

Magnification of the Len s

Front 17

What is angle of view

Back 17

The amount of the scene shown on a given size of sensor film

Front 18

A 300mm lens has a wider angle of view than a 135mm lens

Back 18

False

Front 19

Long lenses compress an image

Back 19

True

Front 20

Why is it a general rule to use a shutter speed twice as fast as your lens focal length

Back 20

Long lens can be difficult to use for hand held shots because they magnify lens movement

Front 21

What lens is considered a standard portrait lens

Back 21

85mm

Front 22

Why should you avoid photographing a person too close when using a short lens

Back 22

Distance makes features nearest the camera too large and gives an unnatural look to the head

Front 23

List the four general purposes for photography

Back 23

Decorative function

To create Strong personal visual image

Persuasion

Record events

Front 24

Throughout history art has helped us understand the ________ and_______ aspects of past and current cultures

Back 24

Social, political

Front 25

Back 25

Methodical, thoughtful

Visual story

Remembered

Front 26

Asking yourself questions such as why you want to photograph something and what action or reaction you want from the viewers are thought process called

Back 26

Intentions

Front 27

Photography isn't simply the act of picking up a camera pointing it at something and pressing the shutter. It is a process of _____ _______ of your own ______ __ _______ overlaid upon the scene

Back 27

Thoughtful consideration

Own point of view

Front 28

Good composition helps achieve ____&_____

Back 28

Meaning and importance

Front 29

Composition is the means of bringing viewers into your photograph and holding there_____ enough to read your _____ and_____there own_____

Back 29

Attention

Commentary

Define

Feelings

Front 30

What two apecs of good composition are of prime importance

Back 30

Unified thought

Simplicity

Front 31

If you concentrate on a ______ ________ your photograph will be _________ it is the equivalent of speaking on a topic without rambling aimlessly

Back 31

Unified thought

Cohesive

Front 32

Be aware of your______ and state it_______ clearly

Back 32

Intent

Simply and clearly

Front 33

Without a _______ ___ ________there will always be ambiguity in the image that cannot be overcome by _______ and _________

Back 33

Point of view

Simplicity and unity

Front 34

_____________ ____________ defined good composition as the strongest way of seeing

Back 34

Edward Weston

Front 35

A visual representation of even the most complex confusing and inharmonius subject should posses inherent _______ and ________ to achieve maximum effect

Back 35

Simplicity and unity