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63 Cards in this Set
- Front
- Back
Ionian Mode
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1st
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Dorian mode
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2nd
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Phrygian mode
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3rd
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Lydian Mode
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4th
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Mixolydian Mode
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5th
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Aeolian Mode
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6th
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Which intervals are always perfect?
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1, 4, 5, 8
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Compund Intervals
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encompass more than an octave
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Tonic
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I.
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supertonic
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II.
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Mediant
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III.
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Sub-Dominant
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IV.
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Dominant
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V.
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SubMediant
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VI.
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Leading Tone
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VII.
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Major Triad
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Major 3rd, Perfect 5th
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Minor Triad
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Minor 3rd, Perfect 5th
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Diminished Triad
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minor 3rd, diminished 5th
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Augmented Triad
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major 3rd, augmented 5th
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7 resolves to
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8
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6 resolves to
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5
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4 resolves to
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3
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2 resolves to
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1
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7 resolves to
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6
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Compound Meter
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simple meter multiplied by 3 (3/8 is simple 9/8 is compound)
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Irregular Meter
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combination of beats, i.e. 7/4
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Motive
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Smallest independent fragment of a melody
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Phrase
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several motives
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antecedent
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question
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consequent
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answer
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Similar Motion
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same direction, not same distance
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Parallel Motion
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tones move in same distance and direction
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Contrary Motion
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tones move in opposite directions
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Oblique Motion
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One tone remains stationary while the other moves in either direction
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authentic cadence
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V-I
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Plagal Cadence
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IV-I
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Half Cadence
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IV-V or I-V
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I6
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first inversion
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I 64
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second inversion
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I 65
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first inversion of seventh
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I 43
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second inversion or seventh
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I 21
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third inversion of seventh
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First inversion chords, double the?
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root or fifth
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Unnaccented passing tone
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of the beat non harmonic tone
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Accented passing tone
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on the beat passing tone occuring in a line
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In the second inversion double the?
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root of the chord (fifth)
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Cadential Six-Four
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I64-V-I
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Passing Six_Four
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IV-I64-IV6
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Neighboring Six-Four
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V-I64-V
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Embellishing Six-Four
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I-IV64-I
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Dominant Six-Four
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I-V64-I6 or I6-V64-I
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Ternary form of melody writing
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A B A
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Neigboring Tone
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non harmonic tone appearing between a chordal tone and its repetition
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Suspension
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chordal tone which carries through the change of harmony and resolves stepwise downward to a chord tone of the second chord
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Accented suspension
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tone is sounded again at the change of harmony instead os sounding through
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indirect suspension
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other tones are inserted between the suspension and its resolution
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Anticipation
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unaccented non harmonic tone which belongs to the second of two chords but is sounded before the second chord is heard
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Harmonic Rythym,
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rythym of when the harmony changes
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Harmonic Rythym,
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rythym of when the harmony changes
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melodic rythym
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rythym of when the melody changes
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Appogiatura
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accented non harmonic tone which is approached by a skip and resolved stepwise in the opposite direction
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Echappee
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unnaccented non harmonic tone is approached stepwise in the opposite direction which is opposite to the resolution then moves by skip to the note of resolution
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Cambiata
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unnaccented non harmonic tone is approached skip in the opposite direction which is opposite to the resolution then moves stepwise to the note of resolution
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