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30 Cards in this Set
- Front
- Back
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Modal Mixture |
combines major and minor modes without changing the tonic or the key individual notes of full chords may be borrowed from the parallel minor or major |
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leading tone seventh chords |
chords built on the seventh (the leading tone) half diminished in major, fully diminished in minor has a dominant function |
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leading tone seventh root |
should resolve upwards by a step |
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leading tone seventh chordal seventh |
should resolve down a step |
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leading tone seventh chordal fifth |
should resolve down a step |
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Harmonic Sequences |
a linear progression of chords that goes up or down Model --> Copy --> Copy Doesn't have a natural stopping point |
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applied chords |
applied dominants may tonicize any diatonic major or minor triad (but not diminished) applied inversions of V^7of viidim^7 embellish their goal through neighboring or passing motion |
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extended tonicization |
"zooms in" on a diatonic major or minor triad temporarily treating it as the tonic |
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difference between tonicization and modulation |
modulation includes a pivot chord tonicization may include a pivot chord but such preparation isn't necessary. They can happen at any time. |
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modulation |
go to a closely related key start with a pivot chord |
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pivot chords |
part of the original and the goal key in modulation |
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sentences |
has a presentation --> continuation (no cadence) |
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period |
antecedent that ends with a cadence consequent question/answer format |
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hybrid 1 |
antecedent+continuation starts with antecedent weak middle cadence after cadence b.i (basic idea) fragments to the cadential ending |
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hybrid 2 |
like hybrid 1 but not cadential |
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hybrid 3 |
compound basic idea + continuationno middle cadence |
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hybrid 4 |
compound basic idea + cosequent no middle cadence |
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basic idea (b.i.) |
make up the presetnation of a sentence |
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compound basic idea (c.b.i.) |
the b.i. and contrasting idea (c.i.) fused together can be thought of as an antecedent that doesn't cadence or a presentation that doesn't repeat itself |
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compound sentence |
12 or 16 measures long four measure c.b.i. (instead of two measure b.i) with four or eight measure continuation that ends with a cadence |
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compound period |
16 measure 1st eight measures has a large scale antecedent made up of a sentence, period or hybrid following eight measures are a large scale consequent that repeats the opening phrase but with a stronger cadence |
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sectional binary |
both parts cadence on the tonic |
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continuous binary |
first part cadences away from the tonic |
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simple binary |
if two parts are melodically unrelated or if second part has a variation on the first's meoldy |
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rounded binary |
if the opening material returns after a digression |
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fully sectional ternary |
every part closes with an authentic cadence in the section's main key |
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sectioanl ternary |
if initial A or B section does not end in tonic |
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continuous ternary |
if A or B close away from the tonic |
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transitions |
go to new material |
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retransitions |
go to older material |
