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33 Cards in this Set
- Front
- Back
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Triad
First Inversion What to double? |
6
double the 3rd |
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Triad
Second Inversion what to double? |
6
4 double the fifth |
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Seventh
Root Position |
7
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Seventh
First Inversion |
6
5 |
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Seventh
Second Inversion |
4
3 |
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Seventh
Third Inversion |
4
2 |
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General Principal
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Keep pitches common
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Leaps
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Avoid large leaps (>3), especially in upper voices
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Aug/Dim Intervals
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Avoid
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Parallel Motion
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Avoid
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Forbidden parallel 5ths/8ves
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No parallel 5ths or 8ves
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Direct/Hidden 5ths/8ves
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No direct or hidden 5ths/8ves (outer voices)
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Leading Tone
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Resolution: remember leading tone
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Overlap/Crossing
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No voice overlap/crossing
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Unison
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Unisons approached and left by contrary or oblique motion
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Primary Chords
What to double? |
I, IV, V
double the Root or 5th |
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Secondary Chords
What to double? |
II, III, VI
double root (or 3rd, 5th) |
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Half-Cadence
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I -> V
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Authentic Cadence
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V -> I
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Perfect (Authentic Cadence)
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Root is in both the bass and soprano
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Imperfect (Authentic Cadence)
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Root is NOT in both the bass and soprano
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Plagal Cadence
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IV -> V
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Complete Cadence
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IV -> V -> I
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Triad
Root Position What to double? |
double the root
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Deceptive Cadence
what kinds of keys? what to double? |
V -> IV/iv
major or minor keys double: root -> third |
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Phrygian Cadence
what kinds of keys? what to double? |
iv6 -> V
minor keys double: root -> root |
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V7 -> I Progression
Root Position |
3(7) up to Root(1)
or dn to 5(5) if 3(7) in alto or tenor 7(4) up to 3(3) 5(2) up to 3(3) or dn to 1(1) |
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V7 -> I Progression
Inversion (any) |
3(7) up to 1(1)
5(2) dn to 1(1) 7(4) dn to 3(3) 1(5) to 5(5) |
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Passing 64
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bass goes through
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Neighbor (oscillating) 64
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bass goes up one/down one
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Pedal (neighbor) 64
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bass stays the same
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Arpeggio 64
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bass moves around in triad notes of chord
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Cadential 64
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I64 acts like a V (written sometimes at V64)
IV -> I64 -> V |
