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42 Cards in this Set
- Front
- Back
Will kemp was? |
An actor in Shakespeare's plays |
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Who composed "I mangnum mysterium"? A Giovanni Gabrieli B Claudio montervrdi C Henry Purcell D arcangelo corelli |
A Giovanni Gabrieli |
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What is the genre of "O mangnum mysterium" A mass B Motet C madrigal D Pavan |
Motet |
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The style heard in "O mangnum mysterium" is typical of music from |
16th century Venice |
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Which compositional technique do you hear in "O mangnum mysterium" |
Echoing semichords |
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What are the performing forces in "o mangnum mysterium" |
Choirs, brass instruments and a organ |
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The two elements that most bring about the change of mood in the "Alleluia" section of "O mangnum mysterium" are: |
Tempo and meter |
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Which describes the use of meter in "O mangnum mysterium"? |
The meter is sometimes duple and sometimes tripleb |
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In which section of "O mangnum mysterium" do you hear the most echoing"? |
Alleluia |
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Which musical technique do you hear in the first and last sections of "O mangnum mysterium" A sequence B points of imitation C isorhythm D plainchant paraphrase |
A sequence |
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The singer's In The Coronation of Poppea are: |
2 females: a mezzo soprano and a soprano |
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In the opening recitative of The Conornation of Poppea, there is |
No identifiable meter |
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Who composed Dido and Aeneas A Giovanni Gabrieli B Claudio Monteverdi C Henry Purcell D Arcangelo Corelli |
C Henry Purcell |
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Dido and Aeneas is an |
Opera |
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Where was Dido and Aeneas composed |
England |
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There was ___ sections in act III, final scene of Dido and Aeneas. They are a ___ |
Three; recitative, an aria and a chorus |
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How can you tell when the aria portion of the final scene of Dido and Aeneas has begun? |
The rhythm settles into a regular meter |
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In which section of the final scene of Dido and Aeneas do you hear a ground bass |
The aria |
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When does the chorus begin to sing the final scene of Dido and Aeneas? |
After Dido stabs herself |
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What textures do you hear in the closing of Dido and Aeneas? |
Polyphony and then homophony |
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The composer of this suite I'd A Giovanni Gabrieli B Claudio Monteverdi C Henry Purcell D Girolamo Frescobaldi |
D Girolamo Frescobaldi |
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Who were the most important composers in Venice around 1600? |
Andrea Gabrieli and Giovanni Gabrieli |
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Where did the Gabrielis work? |
St. Marks cathedral in Venice |
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"O Magnum Mysterium" was written for |
Christmas |
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Which composer was the first whose music was attacked for being too radical? |
Claudio Motnteverdi |
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Who is known as the "last great madrigalist and the first great opera composer"? |
Claudio Motnteverdi |
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During which phase of Monteverdi career did he composed The Coronation of Poppea? |
It was late in his career |
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The plot of monteverdi's Coronation of Poppea involves |
Nero; his mistress, Poppea; his wife, Ottavia; and his adviser, Seneca |
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Who Is considered to be the greatest English composer of the Baroque period |
Henry Purcell |
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Purcell wrote the first English examples of which genre |
The Sonata |
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What was the source for Dido and Aeneas A the bible B The Aeneid, by Virgil C a Shakespearean play D an original play he wrote earlier in his career |
The Aeneid, by Virgil |
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"Remember me, but ah, forget my fate" I'd part of the text of: A "O magnum mysterium B the coronation of Poppea C "when I am laid" D Thy hand, Belinda |
C "when I am laid" |
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The foremost organ virtuoso of the early 17th century was |
Girolamo Frescobaldi |
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The keyboard virtuoso and composer who was influenced a century later by Frescobaldi's music was |
Js Bach. |
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Frescobaldi's suite consists of a conzona followed by |
2 dances and a set of variations |
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The passacaglia in Frescobaldi's suite bears a close relationship to the A galliard B stylized dance C Ostinato D canzona |
C Ostinato |
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Who are the two most important composers of the late Baroque period |
Js Bach and Handel |
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Who was the leader monarch in the age of absolutism |
Louis XIV of France |
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Baroque composers were likely to think of themselves as |
Craftspeople, creating a product on demand |
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The three main insitutions. Where baroque composers could make a living were |
The church the opera house And the court |
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In the early 18th century, court musicians had a better sense of new musical trends than church musicians because |
They were required to travel with their employees |
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The orchestra of the court of Louis XIV was called the |
"24 violins of the king" |