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55 Cards in this Set
- Front
- Back
Melody |
A tune; a succession of tones comprised of mode, rhythm, and pitches so arranged as to achieve musical shape, being perceived as a unity by the mind. I |
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key |
start on any note and create a major scale on top of that |
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scale |
A series of notes in ascending or descending order that presents the pitches of a key or mode, beginning and ending on the tonic of that key or mode. |
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major scale |
the difference between third and fourth note and between the seventh and the eighth note is half |
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minor scale |
is only a half step between the second and third tones |
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chord |
is any harmonic set of usually three or more notes (also called "pitches") that is heard as if sounding simultaneously |
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triad |
a set of three notes that can be stacked in thirds |
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texture |
Term which refers to the vertical structure of a composition. That is to say, how many parts or voices there are, what the configuration (close, open, etc.) of the voices happens to be, how the voices interact, etc. |
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monophony |
(most basic texture) one melodic line (one sound) (solo voice) |
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polyphony |
many sounds (counterpoint) (same melody happening at different times) |
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counterpoint |
The art of combining two or more melodies to be performed simultaneously and musically. the melody is supported by another melody rather than by chords. |
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flat |
lower in pitch |
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sharp |
higher in pitch |
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chromatic |
Any music or chord that contains notes not belonging to the diatonic scale, proceeds in half steps |
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diatonic |
Proceeding in the order of the octave based on five tones (steps) and two semitones (half steps). The major and natural minor scales and the modes are this |
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color |
The quality of a sound; that component of a tone that causes different instruments (for example a guitar and a violin) to sound different from each other while they are both playing the same note. |
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timbre |
(tone color)- all instruments can convey different feelings (left to the imagination of the composer) Can convey extra musical meaning (culturally based) (national anthems) |
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homophony |
same sounds |
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forte |
loud |
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piano |
quiet |
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repetition |
recurring musical gestures (when melodies, rythm come back) |
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contrast |
new and dramatically different musical gestures |
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opera |
secular entertainment, theater, fully dramatized, classical mythology, recitative aria, orchestra |
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rhythm |
can be variable, length and accent given to a series of notes in a piece |
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meter |
Measure of time; arrangement of poetical feet; the grouping of beats into regular patterns |
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measure (bar) |
signifying the smallest metrical divisions of a composition, containing a fixed number of beats , marked off by vertical lines on the staff. |
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tempo |
speed of a given piece (fast tempo is associated with a feeling of energy and drive) (slow tempos contribute to solemn, lyrical, or calm moods) how fast or slow the beats are |
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ritard |
a gradual slowing of the tempo, or to gradually delay the tempo. |
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accent |
A stress or special emphasis on a beat to mark its position in the measure; |
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libretto |
A printed copy of the words to an oratorio or an opera; also, the words of the text themselves. |
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recitative |
is a narrative song that describes some action, thought, or emotion. speaking rather than singing |
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aria |
Originally an air; a song; a tune; sung by a single voice with or without accompaniment. Now taken to mean a lyric song for solo voice generally having two contrasting parts (I and II), ending with a literal or elaborated repeat of part I. |
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cantata |
church service, at church, concert style, gospel, recitative, da capo aria chorus, orchestra |
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oratorio |
sacred entertainment, at the theater, concert style, biblical subjects, recitative, da papa aria chorus, orchestra |
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syncopation |
Deliberate upsetting of the meter or pulse of a composition by means of a temporary shifting of the accent to a weak beat or an off-beat. |
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dynamics |
hook (melody), instruments used to create different colors of sounds |
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harmony |
The combination of notes sounded simultaneously to produce chords. Usually, this term is used to describe consonance, however, it can also be used to describe dissonance. |
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tonic, (tonality)- The triad formed on the tonic note, the tonic chord |
is thus the most significant chord, idea that every melody has a most important note |
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dominant |
the fifth tone of a scale |
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variation |
A deviation from a theme that uses the same bass pattern or harmonic progression that the theme used, and usually having the same number of measures as the theme. |
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strophic |
Song structure in which every verse (strophe) of the text is sung to the same musical tune. |
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imitation |
The repetition in a second voice or part of a theme, motif, or phrase presented by a first voice or part. |
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rondo |
referring to a form of composition in which the first section recurs after the second section is performed in an A-B-A style. |
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theme and variation |
A style of composition that first presents a basic theme and then develops and alters that theme in successive statements. |
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suspension |
a situation in which a single note of one chord is held over into another chord, thus creating a dissonance, which is resolved by step in the following chord. |
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seventh |
An interval that is one step smaller than an octave. |
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tonality |
The principal of organization of a composition around a tonic based upon a major or minor scale. |
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dissonance |
Two or more notes sounded together which are discordant, and, in the prevailing harmonic system, require resolution to a consonance. |
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consonance |
An accord of sounds sweet and pleasing to the ear as opposed to dissonance. |
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modulation |
The shifting from one meter to another in the middle of a composition. |
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concerto |
This term was originally applied to almost any kind of concerted music for voices and instruments of the Baroque era. Today it is taken to mean a composition that shows off a specific instrument (or instruments) with the orchestra used as accompaniment. |
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program music |
Compositions with extra-musical content that directs the attention of the listener to a literary or pictoral association.was especially popular in the 1800s |
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absolute music |
Music that has no literary, dramatic, or pictorial program; also, pure music; music expressively self-sufficient and intelligible without the aid of a text or a program. |
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tone cluster |
An effect (typically on a piano) that is comprised of a dissonant group of notes that are very close together. |
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atonal |
Music without tonality, or music that is centered around no central key or scale |