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30 Cards in this Set

  • Front
  • Back
Relationship between music and time
Rhythm
specific rhythmic framework (3/4, 4/4 for example)
Meter
The speed at which a piece is played
Tempo
Tone created by the frequency of vibration, within a vibrating body
Pitch
A succession of multiple pitches
Melody
A melody that moves in gradual or stepwise motion
Conjunct Melody
A melody that moves in skips
Disjunct Melody
Simultaneous sounding of multiple notes
Chord
Structure and relation of chords and melody
Harmony
Tone color or character
Timbre
How musical lines relate to each other
Texture
Single line
Monophony
One line predominates
Homophony
Multiple interpretations of the same melody
Heterophony
Interaction of two or more voices, call and response
Antiphony
Two or more independent lines
Polyphony
Variations in volume
Dynamics
To get louder
Crescendo
To get softer
Decrescendo
Organizational structure in a piece of music
Form
The arrangement of musical instruments
Instrumentation
Complete musical idea
Phrase
Syllables that have no linguistic meaning - used for a variety of timbre
Vocables
Zuni Indians
Southwest - Navajo/Cherokee
Plains Indians
Central Northwest - Sioux
Eastern Woodlands Indians
Northeast - Iriquois
General African Traits (as shown by the Ghana Postal Workers)
Diatonic melodies (later we see pentatonic scales)
Polyrhythm - use of multiple rhythms simultaneously
Repitition and improvisation
Willingness to integrate other music cultures
Group participation
Music learned through enculturation - been learning it since you were little
Music used in everyday life
General African American Traits
Sense of community and participation
Learning primarily throuh enculturation and informal apprenticships
Melismatic singing - stretching one syllable over many pitches
Pitch content - pentatonic with added chromatic tones and inflections (blue-note tones in between the notes found on the piano)
Rhythm - plays large role despite the lack of drums
Adaptation of material culture - almost anything can be an instrument - instruments taken from dominant culture are used in unique ways
Timbre - tendency towards unique vocal and intrumental timbre with emphasis on "soul or the truth"
Form - primarliy forms are short and repetitive - also, borrowing of forms form protestant tradition
Call and response - antiphony
High context culture - things are implied more often than said
Mande main instrument
String instruments (KORA)
Chunnig
refers to not only the tuning but also the timbre