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32 Cards in this Set
- Front
- Back
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I Got Rhythm |
1930 George Gershwin |
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Cotton Tail |
1940 Duke Ellington
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Back Water Blues |
1927 Bessie Smith |
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The Creation of the World Op. 81 |
1922-1923 Darius Milhaud |
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Afro American Symphony, first movement |
1930 William Grant Smith |
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Symphony No. 5, second movement |
1937 Dmitri Shostakovich |
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Hyperprism |
1922-1923 Edgard Varése |
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The Banshee |
1925 Henry Cowell |
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Appalachian Spring, excerpts |
1943-1944 Aaron Copland
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1930 |
I Got Rhythm George Gershwin
Afro-American Symphony, first movement William Grant Still |
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1940 |
Cotton Tail Duke Elllington |
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1927 |
Back Water Blues Bessie Smith |
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1922-1923 |
The Creation of the World Op. 81 Darius Milhaud
Hyperprism Edgard Varése |
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1925 |
The Banshee Henry Cowell |
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1943-1944 |
Appalachian Spring, excerpts Arron Copland |
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1937 |
Symphony No. 5, second movement Dmitri Shostakovich |
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Tin Pan Alley |
NYC home to publishers and songwriters |
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thirty-two-bar form |
4 eight bar measures AABA (A similar lyrics & same music B Different lyrics & music) |
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Contrafact |
New melody over existing harmonic progression |
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Jazz |
Music genre that came from many influences. Blues, european music, ragtime. Emphasis on improv. USA |
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Blues |
Style more than a from. Performers express deep inner feelings. From rural work songs. African American vocal genre. Blue notes. USA
(Back Water Blues) |
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Classic blues |
Female black vocalist. Piano/combo accomp 12 bar form
(Back Water Blues) |
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Delta Blues |
Black man vocalist Acoustic guitar Not so strict with form and lyrics
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Chicago Electric Blues |
Black male vocalist Electric guitar Originated in Chicago |
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Les Six |
Milhaud Auric Honegger Taillerferre Poulenc Durey |
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Socialist Realism |
Doctrine of Soviet Union. All arts required use realist approach that puts socialism in good light.
Symphony No. 5 |
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Formalism |
Soviets didn't want. Music for its own sake.
Lady Macbeth of Mtsenk District |
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Sound mass |
Collection of sounds that take on a certain character. (Stable or transformed)
Hyperprism |
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Ultramodernism |
In American music between WW I-II. Developing new musical resources. Pushing all musical perimeters.
Hyperprism Banshee |
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Spacial music |
Music as sound mass moving through musical space instead of presentation of theme and variations or motives.
Hyperprism |
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Tone cluster |
Diatonic or chromatic seconds. Use fist or arm to play. Coined by Cowell.
Banshee |
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Extended technique |
Something out of tradition technique for an instrument. Expands timbre
Banshee |
