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26 Cards in this Set
- Front
- Back
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Claudio Monteverdi 1567 1643
gay pirate intro, smooth tenor, italian, sparse with female |
L’Orfeo (excerpts from Act II)
CM-Orf |
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Giacomo Carissimi 1605-1674
Haunting female vocals, harp |
Historia di Jephte
GiaCar-HisJep |
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Girolamo Frescobaldi 1583-1643
sparse harpsichord with phasor |
Toccata No. 3
GiroFres-Toc3 |
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Jean-Baptiste Lully 1632 -1687,
Tra la la, symphony with harpsachord |
Armide
jBapLul-Arm |
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Alessandro Scarlatti, 1660 1725
Strong female vox, italian, harpsichord and strings "SI SI" |
Clori vezzosa, e bella
Ale'scar-Clorvez eBell |
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Arcangelo Corelli, 1653 1713
Slow and smooth, pleasant quartet |
Trio Sonata Op. 3, No. 2
ArcCor-TSon 32 |
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Antonio Vivaldi, 1678 1741
polished strings and harpsichord, uptempo, reverb |
Concerto for Violin and Orchestra in A Minor, Op. 3, No. 6
AntViv-ConViOrch Amin 36 |
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François Couperin, 1668 1733
harpsichord, live hall reverb, bright eq |
Vingt-cinquième ordre (excerpts)
FranCoup-VinCinOrd |
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Jean-Philippe Rameau, 1683 1764
cinematic opera, male/female solos, intense ensemble accents |
Hippolyte et Aricie (excerpts)
JPhilRam-HipetAri |
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Johann Sebastian Bach, 1685 1750
dark side organ |
Prelude and Fugue in A Minor
JSB-PnF Amin |
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Johann Sebastian Bach, 1685 1750
german opera, melismas, wood winds over strings |
Nun komm, der Heiden Heiland, BWV 62
JSB-NunKom-d-HH |
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George Frideric Handel, 1685 1759
italian opera, male to female, harpsichord, strings, lute |
Giulio Cesare (excerpts)
GFHan- Guisare |
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George Frideric Handel, 1685 1759
full chorus |
Saul (excerpts) O fatal consequence of rage
GFHan-Saul |
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Giovanni Battista Pergolesi, 1710 1736
opera, fast and hopping strings , male vox (and separate sparse recitative w/ male female vox) |
La serva padrona (excerpts)
GioBat Perg - LserPad |
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John Gay, 1685 1732
very gay, opera in english |
The Beggar’s Opera (excerpts)
my heart was so free were I laid on greenlands cost ( w/ female vox) JGay-Beg |
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Christoph Gluck,
Thunderous dark intense symphony with horn blasts, quiet staccato and bursting chorus |
Orfeo ed Euridice (excerpts)
act II scene I CGluck- Orfdice |
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Domenico Scarlatti, 1685 1757
percussive harpsichord |
Sonata in D Major, K. 119
DomScar- SonD- maj |
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Carl Philipp Emanuel Bach, 1714 1788
darker slow piano, high noise floor, you can hear the guy breathing |
Sonata in A Major, H. 186
CPEBach-Son Amaj 186 |
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Giovanni Battista Sammartini, 1700 1775
bass heavy orchestra with harpsichord DUN DUN DUH |
Symphony in F Major, No. 32
GioBatSamm-SyFmaj 32 |
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Johann Stamitz, 1717 1757
sounds like mozarts eine kline nacht musique |
Sinfonia a 8 in E-flat Major, Op. 11, No. 3
JHanStmz- Sin8 Efm 11 3 |
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Johann Christian Bach 1735 1782
piano solos, strings and harpsichord |
Concerto for Harpsichord or Piano and Strings
JCB-ConHarp PS |
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Joseph Haydn, 1732 1809
string quartet, light and jumpy |
String Quartet in E-Flat Major, Op. 33, No. 2 (The Joke)
JHay- Squar Efm 33 2 |
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Joseph Haydn, 1732 1809
full symphony, all the things |
Symphony No. 92 in G Major (Oxford)
JHay- Sy92 Gmaj |
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Wolfgang Amadeus Mozart, 1756 1791
solo piano, silent film |
Piano Sonata in F Major, K. 332
Moz- PSon Fm |
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Wolfgang Amadeus Mozart,1756 1791
symphony, features piano with lots of embellishment |
Piano Concerto in A Major, K. 488
Moz- PCon Amaj |
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Wolfgang Amadeus Mozart,1756 1791
italian opera, classic opera |
Don Giovanni (excerpts)
Moz-Don |
